In a back room with red hot hangings / And planned fury to fall / To set the homes they’d left afire with love— Stephen Spender’s Exiles from Their Land, History Their Domicile (1934) from Collected Poems 1928-1953
But at last, in the middle of the telescope's complicated shadow, a disk of milky white appeared. – Arthur C. Clarke and Stephen Baxter’s Sunstorm (2005)
The comminution of silver in a solitary tread of the Eagle’s footprint (20 July 1969), in the station
Held from a Schaller GmbH phone booth scaled to a circuited decal—One
such proposal to mine water from apatite without specifying the tusk, tooth, or
gem, to be melted
Into roads 60 degrees ahead or behind Lagrangian equilibrium—Another,
where its resident Rauzzini caroled Mozart’s juvenilia before the Austens;
later terrorists had made parpaings of all front entrances, their combined
towers each totaling thirty steps of Bath Abbey’s Jacob’s Ladders before which
the Council elected to add another space gravity elevator—
Instead, the only evidence of a body, not a hologram, were piezo elements
in the floor of Mir, and our persistence here is a dispatch from mother, or the
fabric fall at the throat passing for a patterned necktie; judging by the
break-in at the gateway fluoroelastomer seal, from where the occupant was
forcibly escorted—
Relocated into the harrow of thrown things, Occator of Ceres—Once
situated on a lake above significant films of the atmosphere, Big Bear
Observatory’s three to two contraction with generation of a photon H-alpha’s
filters focused on the laborious 25 days before the counterclockwise half-day
of the colliding Jovian, the Sun
Red as Mars—Coming online two weeks after the hot slash in the tacholine
reclosed, followed by the uninterrupted recitative
Of the multicells's updraft and downdraft of couplet bursts, then
condensation, and wiped imagining of fringes of the paler penumbra as
chicken-of-the-woods shelved on oaks wound—Much of the escorted
Debris of the Roxy Renaissance Kinos, as the tenth planet at an unseen
point pulling at the 98 degree tilt of Uranus, the first object of the
Kuiper-Edgeworth belt reclassified as a comet, 2060 Chiron hiding in the 1895
perihelion plates, and once Hermann Goldschmidt’s mistaken moon of Saturn
(1861) among his fourteen asteroids set aside from melting
Ice into water and Hadean zircons on the ocean surface up toward
undergrowth now hosting an age of spores—Out of glades of wallpaper soon
illuminated with the melanocytic radiotrophs of Chernobyl; elevators
Having for years, failed, survivors unearthed from their bunkers and
defined diets had both insulin resistance, and from what was supposed
interminable dejection, were off their food—In the absence of animals for
slaughter, the complexing organic matter, rather than arising in furrowed phosphorus— —of The Lost Lunar Baedeker (1923), burgeons from mushroom chromium (III)
picolinate—5-HT2A receptors patterned
In the blind gut leveled by celestial pabulum; the oral dosage likewise abetted receptive jags of brain fog serotonin by liberating tryptophan—Encountering the patterned
Dulwich Picture Gallery, where the last seen installation of Ravilious
watercolors (2015) had forsworn an estimate of life, every subsequent eleven
years when the Sun
Reorients by magnetized horseshoe turns of its sunspots—Here, is the
steamrolled back garden plot for bulbs, and beyond the fly-chair of Versailles,
where algorithm traction elevators,
Miniaturized from radionuclide panels in its standby basement and
six-floor annex electrify the scaffolding and struts passively spiraling air at
the reconstructed site of 30 St. Mary Axe—One learns to ignore the recitative
Ascent of twenty kilometers into the stratosphere with Barbier’s night-writing collisions into every intermittent particle to check on the Huperzia mossbeds gathered for a
cocktail against iron storage and neuronal death in the greater humanity
escorted
By trauma into a mass forgetfulness, for which armamentaria embrace Laetiporous sulphureous; its agent for
inflammation and existential pain qualified by overconsumed bullets of acetaminophen—Nano
moss perseveres under bombardments of cosmic rays, not like so many helmeted
astronauts, reared in substrate biocrust with smartskin greenhouses, where
low-level sulfur distributed to further backscatter corroded the orbiter’s
embodied metal consciousness of Thales, Aristotle, and Athena further melting
Under the shield’s vacuum lock—An oceanic iron seeding project carried out under the symbol of the Leviathan Cross portrayed beyond its diabolical image as dual platforms buoyed by the infinite; the sterile deep shortly melting
With
lush beds of plankton viewed by the Mauritian descendants of l'ange de l'assassinat (1847), after
Jean-Paul Toulet’s Sur l’océan couleur de fer, from the serial quatrains
collected, Les Contrerimes
(1916)—Reading patterned
Red
and green water; lacking bioluminescence due to its high ferric content, might
at some phase approximate a marine environment—Before they attain a mythic
status; for inducement, and to decant the inhabitants of the many Arks—Pierre
Belon dissected for L'histoire naturel des éstranges poissons (1551) and De Aquatilibus
(1553), with no less than 38 pages of the former 55 page digitized manuscript
containing le dauphin, and without apprehending their quadruped
equivalents—That Altair had once meant a sensor for gas calibration, after a
low sensitivity probe of the Pioneer 10 (1972), with a plaque of the solar
system scaled one-tenth of Mercury’s orbit, headed for the Bull’s Eye, and
before the lost uplink (2003) at Jupiter’s aurorae subscribed to the core’s
hyperfine structure, slanted by Lagrangian observers behind—Flickering at the
same time Earth and Clavius injection-mold lamps, particularly on the moon base
named for Christopher Clavius; arising out of the seven hills of Bamberg for
Rome at seventeen, who escorted
The
West into the civil calendar (1582 C.E.), with his predecessor, Lilio
enumerated in the pre-implementation from 15 October 1582 accompanied by a
shift to decimal-point significance—Visited in the last year of his life (1611)
by the dedicator of the Medician stars (12 March 1610 C.E.) verifying what the
Frisian, Johannes Goldschmidt, Fabricius, had seen of sunspots, dubiously, from
a tent (1610)—Fabre d’Églantine, originator of the Republican calendar, was the
son of a draper endowed with the sweet briar for his Petrarchan mode (1771
C.E.) ennobling the wait and humiliating deferral at a theater for the Gay
Science, Jeux floraux, among the
subjective assessments beaten by computing the Sun’s
Longitude
at the time given, as in the eclipse of 21 August 1560 Clavius countersigned in
Coimbra one-year prior, 1559—The lunisolar, no less partial than the four-year
extant agricultural timetable opening on 24 October 1793 C.E auguring a
complete discontinuity from its namesakes, who like dog roses germinate and
become pulverized, with rationale supplied by the royal surgeon, Antoine Louis
(1793 C.E.), as the poet himself faced the same semilunar apparatus bucketing
shepherdesses for graft (4 April 1795 C.E.)—Cross-fertilizations of the hoist
and ratcheted wagon spring (1854) lift passengers of the Equitable Life
Assurance (1870) elevator
In Second Empire style, as the 124-storied Burj Khalifa; the latter, extorting fees for its usage toward the top of their glass apartments; abridged insolation by silvered inner panes, Solar Silver 20—Recall now, the external faces and ascents of White Buildings (1926), as double as the hands from Recitative—
In Second Empire style, as the 124-storied Burj Khalifa; the latter, extorting fees for its usage toward the top of their glass apartments; abridged insolation by silvered inner panes, Solar Silver 20—Recall now, the external faces and ascents of White Buildings (1926), as double as the hands from Recitative—
Or The Wine Menagerie, resounds 23 Vendémiaire CCXXIII—Whose skin, facsimile of time, unskeins / Octagon, sapphire transepts round the eyes (15-16)—Recitative,
From the plans of the Dulwich Picture Gallery and adjoining mausoleum, a
molded postcard Le Nourrir de Jupiter (1636) for the voracious sixth son of
Time that finds you returned, and fully-clothed in your own bed—Poussin made
more luminous by the master he had seen in Rome (1624), after Titian’s liberal
use of azurite and ultramarine for the Duke of Ferrara’s Alabaster Room;
assumed following Raphael’s death (6 April 1520), and much crazed twice from
rolling, Bacchus and Ariadne (1523)—Melting
Excess blue and ultraviolet at the macula; an astronomer had minted the
Oculus (1619), as the retina the projecting surface for the parallel drawings
of the pantograph (1603)—Fifteen years, the Jesuit from Augsburg, Christopher
Scheiner had spent cataloging sunspots to produce Rosa Ursina sive Sol (1630); and to which is distinctly due, the
foldaway gates of early elevators—
These erupting singes; taken apart from the photosphere, surpass the Moon
in brightness, to seemingly withdraw fifteen years later, at Maunder Minimum
(1645-1715)—The blind-windows and top-lit gallery lack the patterned
Shadows of the Mediterranean under perpetual cloud cover, as Soane had
drawn on paper two caskets allied with three octagons so far away from A Dance to the Music of Time (1634-1636)—Escorted
To Hertford House, or the faction waiting outside its hidden canvases and
arms to be disbanded for medical supplies—Palsied, Poussin places swans in the
faraway glass lake of the first of his four seasons, at the birth of Bacchus,
and a Summa dormant in a serpent of the last scene, Flood, or Winter (1664),
and taking off for the passage of La Carte de Tendre (1654); felt but liable to inclination—Bathypelagic
decapods, whose shells are spun chitin and chitosan solar cells, the seventh
century’s Sun
Guoting’s fragmentary Treatise on
Calligraphy marks the unprompted hanging needle and dewdrop—A plate from Aurora Consurgens’s red king and white
queen combining elixirs; once formed into the Sun and Moon overseen by a convoluted
Mercurial judge, precipitate in an Erlenmeyer with the accompanied recitative
since Cerenkov ionization above Chernobyl (26 April 1986)—
Between two worlds, the receiving civilization between Lyra and Cygnus
with a star older and more erratic than
our own, is for the generations escorted at their particular lightspeed, though
stay at the mineral wealth of vacant asteroids, such as the one Hermann
Goldschmidt saw from his balcony, 21 Lutetia (15 November 1852), to gather in
ten years no more than the 50 tons of uranium instantly vaporized, or the
melting smartskin torrents—
Side by side, in patterned elevators with our own undisclosed dark
matters oscillating among flavors, four protons fuse to become one helium
nucleus, two of them have to convert into masses slightly larger, after Darkness and Light (1933-9), join together to curve a path of stone
(6)—
