Replenished canteens of those who would immure her (1558); their lime
Mortar amended slips gathered for angel’s water—Three gibbets adjusted
Calvary there—Autoglyphs of Jesuit New World Assumption schools whose infinite
Regress, chosen by de Gaulle (1942), is the two-barred cross in brickwork—
For all genocides uttered by a dice roll; she is uncalled, and declares herself, Esther—
Pronounced from a night window, starred Adiyaman; Hamedan—The latter, Esther’s
Concealment by the adopted delivered on dreams of cataracts—Fortress Mont-Valérien’s
21st of February listings, of birth dates, the current century’s bonded brickwork—
Eleven years, Aragon’s red poster (1955) is already fossilized buffer, burnt chalk lines; withered lime
Glazed vehicles for the ceremony’s bloodstain; orbits for which our terrestrial year is no adequate measure adjusted
For the sine of latitude, a wire’s reinstating force—There, a pendulum fixed to distant masses of this infinite
Universe—The Panthéon’s custody of what’s left of two Manouchians, the displaced and outlawed for infinite
Remembrance in lyrics; Auden’s strophic yesterdays and to-morrows of Spain (1937)—Esther’s
Appointment is bittersweet; the suppliant exhibited—Another age’s civic involvement adjusts
Dregs of Vichy regime Communists, and those remaindered by Vel d’Hiv (1942) to haunt the streets, then Mont-Valérien—
There were twenty-three of them when the guns flowered, as on lapels, on low-profile brickwork
Signs before which policemen ask the passengers to uncover their hair—Slaked lime
Of scrupled squadrons; a Manouchian woman conveyed on her birthday (10 May 1944) to a lime
Washed cell in Stuttgart for beheading—When a leading left foot lifts off the curbstone into the infinite
Red Sea shelf breaking a ground of photo medallions (1943)—Fixed blades of surgeonfish, of budding brickwork,
Queneau’s entropic Les Ziaux (1943), occupied with Élie Lascaux’s Limousin fern allies—Esther’s
Tribe of leftist swordsmen and archers wrong-footing opponents; she is inscrolled with mineral salts adjusted
To captivity, the banquet’s redoubt—Resistant lives, a hair’s breadth in a chapel at Mont Valérien—
Their legends cycled off after a tombola of Auden’s birth, 21 February, where Mont-Valérien’s
To my understanding, is a Queneau base sonnet for infinite combinations—Esther unhinged her voice
After the price, adjusted for inflation, had been paid, as for Mont-Valérien, Pyongyang’s assumption of emigrants—