[X.] II. Passer á côté de l’essentiel
The horse had antecedents, of which death on a pale horse was a remote and uncertain avatar. There was an archaic palfrey she couldn't place, instinct with fear, and some other very precise literary image of a rider hurrying to bury a treasure. This she waited blankly for, conjuring it, with the phrase “fleet waters of a drowning world”, with a kind of contrary after-image of her dream, a humped and trundling dark steed on a reach of black sand, not white, William Wordsworth's dreamed dromedary. –A.S. Byatt's The Virgin in the Garden (1978)
The long white marble slab was clean, washed by rain or by someone who'd come by fairly recently. Emanuele climbed on top of it. Nora was about to stop him, but I held her back: she would have to let him do it. He patted the color photograph of Mrs. A. and studied the one of Renato beside it uncertainly. "Ciao," he said.
The horse had antecedents, of which death on a pale horse was a remote and uncertain avatar. There was an archaic palfrey she couldn't place, instinct with fear, and some other very precise literary image of a rider hurrying to bury a treasure. This she waited blankly for, conjuring it, with the phrase “fleet waters of a drowning world”, with a kind of contrary after-image of her dream, a humped and trundling dark steed on a reach of black sand, not white, William Wordsworth's dreamed dromedary. –A.S. Byatt's The Virgin in the Garden (1978)
The long white marble slab was clean, washed by rain or by someone who'd come by fairly recently. Emanuele climbed on top of it. Nora was about to stop him, but I held her back: she would have to let him do it. He patted the color photograph of Mrs. A. and studied the one of Renato beside it uncertainly. "Ciao," he said.
[O] ne ear pressed against the stone for quite some time. –Anne Milano
Appel's translation of Paolo Giordano's Il nero e l'argento (2014)
Displacing copper beyond the ruminants, for a prosthetic group termed
cofactor, Bortel establishes nitrogenase (1930)—Gullfaxi, the golden-haired,
siphons through the inert gas intakes nourishing vegetable plaits in foam
Metal oxidized for cycling containing the paucity of clusters limiting
eukaryotic life for two billion years—Paddling Titan Mare Explorer (TiME) depth
sounds into a crenellated and vanishing
Sur le gravier de l'insomnie / Tout est là en attente d’un mot déjà énoncé / Ailleurs (1991) applies
Red-absorbent hydrocarbons of a future sea on Titan’s simultaneously
crossed mission feeds of the spider,
Sleipnir, repeated by Andrew Lang’s Crimson
Fairy Book (1903) on the daggered planum of the nitrogen-iced left lobe of
the heart of Pluto, where future bases of spider
Trolley Verona’s Villa Girasole (1935); much underground, on rotational
bases and L-shaped pavements—Spin as the dwarf does the same, three billion
miles from the coronal source, at the heliopause where molybdenum
Laminates the collector arrays—Luna 24 (22 August 1976) that once
arrested the native metal within the Sea of Crises, and down there; following
the continua of necessities, seawater compounds the hexagonal crystals, and the
lubricating effect of graphite applies—
Mercuric faces of molybdenite were hydrophobic, whose cleavage along
inserted hydrophilic sulfur sinks from the flotation foam—
Separated from copper’s patinated rainbow—Who told you that you; her, 110
times; and paragrammatic, reiterated twice, the sign, were naked (3:11)—To
Lawrence’s Gerald Crich (1915) before the antlers of a stag and heart drawn fine vanishing
From the Wilton Diptych (1395)—At the millennium’s transit into the star
fields of the Milky Way, with costume hired, and surcharged for late hours
(1999), Pluto occults the florist shop, Nipped in the Bud, and hazards the
ermine with a trinity of gp120 spinning
faculties still growing, feeling still (II.320) on her street turning, the tenderest white spotted with black
of Joyce Mansour’s
Dans l'obscurité à gauche
(1965), from the second volume of Poems
for the Millennium (Rothenberg & Joris, eds., 1998)—Pressing and
paralyzed, Alechinsky’s Perspex fuse into the cork spine of Le Bleu des Fonds (1968), le papillon qu'est ta bouche unglued
from Joyce Manour's,
Tracing the intersections of the Quai Alexandre III, following Maisons
Tropicales (1949-51) dispatched to Brazzaville, with blue portholes for shades,
her guests had derived to and from her salon—Encountering Jean Prouvé’s
commission for itinerant Paris, and according to Le Corbusier, superlative
building, La Maison des Jours Meilleurs (1954-6)—Lady
Harris, mother of Jack (1906) and Thomas (1908), drags the dampened paintless
brush transversely over XI. A scarlet woman (1943) taking the serpent’s
path—Then and there, the Vestal’s twins, and that she not be immured in view of
the spider
Plumbed eaves of Rome suggested by the dormitory Tenniel illustration of Alice as serpent frightening the dove
(1865)—Rhea Silvia, on a Wedgewood reissue of the Portland Vase giving into a
paternal anxiety that his children are not his own, in the province of Cantalupo,
the wolf’s song, among the Volscian mountains and Pontine marshes of the
Sabines—Inoculum from an infected rose thorn (1940) providing the test case;
Florey and Chain’s lab assistant, Mary, who brought from out of the molding
harvest of Peoria, an overripe cantaloupe to spoil any crate in which it is
packed, containing the most potent strains, all through vanishing
War supplies, Penicillium
chrysogenum (1943)—Antecedents of Charlotte Perriand’s preferred medium of
wood; polished to the softness of a woman’s thighs, arises from the breaking
demilune for the sitter head-under-feet of the LC4 CP (Chaise Longue à réglage) for the Church family’s garden
(1928) reproduced here, with molybdenum,
That becomes corrosion resistant at the welds—II. The Pool of Tears (1865), where she who has no light of her own
at all, stands beyond the antisolar point of the rainbow, overlooking the
guttation after fertilizer burn, of having fallen asleep on the bristling lawn,
recovers the images of Martian cuboctahedral snow, excluding the volcanic column
of Io, and then precipitation of Titan and Pluto shows its face in tears for
Fury having tried the whole cause, secondary and tertiary reflections reversing
their bands between 40.6 and 42 degrees applies
Discourse Eight of the Météores
(1637)—Their child reads from Scheherazade,
the Prince dressed in his crimson mantle, lay alone on the bridge beneath the dark blue night sky, scattered with stars, and his gaze—Intended for the virgin and beheaded seconds; to be queen and
for the mask that better fits her on the pillowcase, after the approach of a
naval officer stirs chaos in the surface foam—
Ordering a cappuccino before absorbing the news—That man drinking from
her fortified glass; impersonators among strings of lights—Perhaps by what
Philip Larkin meant (1974), the Kirchenfenster
by the Gibbs-Marangoni (1875, 1865) effect of alcohol evaporating from the
indiscernible foam—
To the practice and the leaderboard, a child’s drawing of a hook (Vav)
between the windows (Hei), the letter climbing to the Sun a lit tree from Hydriotaphia, a pure flame, and we live by an invisible Sun within us (1658)
Thomas Browne’s medium, Joyce Mansour’s
Window-winder, a speaker ending the volume of Marie and Caesar from Îles
Flottantes (1973)—Netherstead (2015), and the filming of 45 Years, as an excavation, applies
The pile upon ethnic and religious slurs of Religio Medici (1643); despite its author’s intellectual distance, I should cut off my arme rather then violate a church window (I.3), taking the flooded frames of New Horizon’s blue
scattering of Pluto (July 14, 2015)—Stations in the glistening print of
modernity’s substituted nano-silver articles glistening for the unfamiliar
spider’s
Orbwebs—Once the vegetable lambs of Tartary, in saturated cotton paper
taking Degas’s dark and light fields (187-)—Face down on the quilt and the
worsted fiber than young Joseph von Eichendorff’s Das zerbrechenen Ringlein (1810, 1813), whose first line begins, Within a watered [kühlen, refreshing, chilled] valley
of the present; otherwise, vanishing—
The essential nutrient missing from wilted orangeries of the unflooded
Nile and Seine, with silt for the dining room's Seedbox Theatre (1983); first zera, and transfer of the crown of
the date palm—Understated painting for the greenery's upstart Californian
gables based on Le Corbusier, who first complexed for Eugenia Errázuriz’s
silver washed from lead collieries into Viña
del Mar’s first butterfly rooftop (1930), and all their landscaping
admitting a high tolerance for molybdenum—
For those assembled in the church antrum; in either wainscoted or styptic rushbearing Grasmere, who cannot see the ceremonies and recurring ermetismo of Strada di Agrigentum (1942), whose flint manes of horses in restrained temples to the Punic battle (246 B.C.E), of legions taken from harvesting—There too, the opening of the white-writing hairstreak, Satyrium w-album, fed subtleties of honeydew then recognized by its white lightning of an M or W—Molybdenum’s
Spark spectrum, the genius of spring foliage rings the Heart-Leap Well
(1800), where the pool was filled with water out of sunlight (1936) containing potential vanadium and iron surrogates in peat pool foam
Of senescing leaves; oxygen-poor terrain, unless nitrogenases disband
their diazotrophic nodules to chloroplasts of false pitchers and stuck stems of
sundew—Consigned to vanishing,
Over the vanadium-flecked bauxite overburden of dispersing igapó, the
Margaret Mee Selenicereus (1988) and the agnate of the midnight of Thornton’s The Temple of Flora (1799)—Stitched into the
cambium of a rubber or ungurahui with bowed leaves for the inundation—Joyce
Mansour
Cries the corolla earpieces of Re-Horakhty of the Stele of Lady Tapere;
stuccoed at the twenty-second dynasty of the Libyans and Nubians, Shoshenq
(945-924 B.C.E.) of the sphinx and cited rush basket of Tanis, whose obverse
features the ameublement of the
devotees—Spangled casing of Nut; and herself, Hat-Hor, the house of Horus, the
son, as Isis, Osiris’s seat—The sketch of of Perriand’s la maison au bord de l’eau (1934) in the Vuitton
incarnation (2013) of a canvas features an interpenetrated lunette, where the
likeness of a parachute applies—
A domiciliary succeeding her input on the Chaise Longue Basculante (1928) of stitched cowhide and leveled on
hooves—Vagrants of themselves find refuge in such a shoreline glass pylon, even
in present-day innumeracy, at the solstice the seven times circling searching
for Ausar, of their two elements stopping before a spider
Cordoned to a well—The small tortoiseshell is drinking the damp veil of The Blind Girl (1856)—Outside of the
optical phenomenon set by the glass rods rendering Seneca the Younger’s virgulae (I.vii), forget-me-nots, or
myosotis, on whose petals the butterfly's blind olfactory mitral cells sidestep
the eye spots scored by disfiguring spider
Mites—From the conserved spathe nectar-tipping the heart lance depositing farina, with its own animal analogue concentrates, scarified explant arils of Strelitzia clear bilirubin from dark circles
incurred by the compensations of sleeping—Samariá, the longest chasm in Europe at the uppermost of which molybdenum
Has seeped with other micronutrients toward wind-cropped technicolor upset—Eluding cultivation, even by a domestic witness, Babette, whose magazine’s scan applies
To Rosamond Campion on the most-read-about radical excisions heatedly defended by the subjects themselves, The Invisible Worm (1972)—Wordsworth, because he was with his sister, Dorothy (15 April 1802), recesses the golden mean of daffodils in his mind—After contracting the vicar at Grasmere, those rewalking it thought more on six-pointed Narcissus as inapt for decorated gum paste or to be staked in floral foam—
Enfolded intelligence in Isaac Oliver’s saffron-dyed Rainbow Portrait (1600)—What does the increasingly static figure of Astraea sense with a brocade serpent biting realgar before its lain on her image, in the 42-acreage of house gardens of Hatfield House—Close by, once Queen’s Beech, with a node for face, after Magritte’s Alice au pays des merveilles (1946) and then the verges of Ernst’s Pour les Amis d'Alice (1957) striding through the gramineous and leguminous classes, a bactericidal copper nail matched to the vanishing
Horseshoes—Bird collectors in Rubiana, who had missed the visitation from a bird-of-paradise, which, for selective pressures, do not migrate—A critic (1957) of Joy Mansour
Alleged she could play her pitiless tune in many keys—Spider silk tensions; so often exceeding the 42 negative confessions, inverted in lives of Joyce Mansour’s Rapaces (1960),
Unvanishing, sea-soluble as molybdenum borne from the fault lines—Streamlining unindulged excess wrought on the urn of Dionysus and maenads at Golders Green
Mites—From the conserved spathe nectar-tipping the heart lance depositing farina, with its own animal analogue concentrates, scarified explant arils of Strelitzia clear bilirubin from dark circles
incurred by the compensations of sleeping—Samariá, the longest chasm in Europe at the uppermost of which molybdenum
Has seeped with other micronutrients toward wind-cropped technicolor upset—Eluding cultivation, even by a domestic witness, Babette, whose magazine’s scan applies
To Rosamond Campion on the most-read-about radical excisions heatedly defended by the subjects themselves, The Invisible Worm (1972)—Wordsworth, because he was with his sister, Dorothy (15 April 1802), recesses the golden mean of daffodils in his mind—After contracting the vicar at Grasmere, those rewalking it thought more on six-pointed Narcissus as inapt for decorated gum paste or to be staked in floral foam—
Enfolded intelligence in Isaac Oliver’s saffron-dyed Rainbow Portrait (1600)—What does the increasingly static figure of Astraea sense with a brocade serpent biting realgar before its lain on her image, in the 42-acreage of house gardens of Hatfield House—Close by, once Queen’s Beech, with a node for face, after Magritte’s Alice au pays des merveilles (1946) and then the verges of Ernst’s Pour les Amis d'Alice (1957) striding through the gramineous and leguminous classes, a bactericidal copper nail matched to the vanishing
Horseshoes—Bird collectors in Rubiana, who had missed the visitation from a bird-of-paradise, which, for selective pressures, do not migrate—A critic (1957) of Joy Mansour
Alleged she could play her pitiless tune in many keys—Spider silk tensions; so often exceeding the 42 negative confessions, inverted in lives of Joyce Mansour’s Rapaces (1960),
Unvanishing, sea-soluble as molybdenum borne from the fault lines—Streamlining unindulged excess wrought on the urn of Dionysus and maenads at Golders Green
