Sunday, May 24, 2015

XX. L'Entre-Deux-Terrains






“‘You,’ He said, ‘are My great horses. It is you who rode with me to repulse the nations, and you were under My hand when I was alone with the enemy.
[…] It was a babble, however, of one hundred names of praise in six or seven languages, and all in a rush. ‘O Twice-a-Great-House,’ they cried, ‘You have saved Your Army. There is no King that fights like You.’

[…] ‘I do not remember the names of those who are not beside Me when I am in the midst of the enemy. But here is Meni who is My shield,’ and He put His arm about me, and patted my buttock as if I were a horse.’”– from Chapte
r X. Of V. The Book of Queens (1972-1982)

“Through his eyes, I saw the broken walls of the temple of Hat-shep-sut at Ittawi. He sighed. ‘Osiris is the only ancient God,’ He said, ‘Who is worshiped everywhere. No priest allows His temples to molder. That is because he had a wise wife who knew the Gods. Isis was the Seat to the Seat-Maker and She made a wise wife.’

[…] He now desired that His old charioteer should begin to instruct His Hittite beauty in the nature of the Egyptian Gods.
      Each time I tried to say that I would not understand what to teach, He would hear no more. ‘You know the Gods as I know Them,’ He said. ‘That is good enough for Me. It is, therefore, good for Her. I do not want a priest who will tell Her so much She thinks She knows more than Me.’ He sighed. ‘You will do this,’ He said, ‘and one day I will surprise you with a gift you do not expect.’” –from Chapter V. of VI. The Book of the Pharaoh (1972-1982)

Responding to the prompt for “Username”, in kind, as the lead advancing four corps on the plain
Of Kadesh (May 1274 B.C.E.)—Usermare, the chariot team; resembling the General-of-All-Armies and Nefertiri, and myself, the charioteer, in a cybrid
Of a horse (64), and from this assemblage, the difference in chromosomal count (46) that is eighteen,
And the gift of Life—Adumbrating the fountain beneath the eighteen square pillars of Abydos, the Osirion's
Threshold crossed by the Hebrew magician brought in to keep peace in the quarries, founded a race too coated in the slime of the eightfold for such observances—
Egyptians, choking down the roast fat of handless captives; stimulated at the solitary tracts to nausea by cholecystokinin, intone an altogether dissimilar gut-brain rubric of a hymn posed by Charles and Ray Eames—

Photographed from the blown lintel, the two rearrange the chattels of their naos of Mathematica (1960 C.E.), which, in their after the banquet contentment, sustains legions seated in molded plywood Eames

Chairs—The iset of desire and chalk-erased hieroglyphs, instead of her name, that percolates up through sandstone plain
Of a board green as the face of the Seat-maker drowned at Memphis; locked by his brother, in a casket while taking its dimensions—In further observances,
Ravaillac, the high priest of Amon during the Aten heresy, staked the traffic stalled Bourbon king in the district of Zola’s Le Ventre de Paris (1873 C.E.), where Jean Héroard, attending the autopsy of Henri-Quatre (15 May 1610), suggested, by the ambidexterity of the act seemingly perpetrated by two agents, alongside Guillemeau, possibilities of the cleavage of a cybrid—
What the Journal’s twenty-seven years of remarking on the dauphin ascribe is constituents of his breeding—As details of a horse skeleton (1599 C.E.) conferring taxis, they solve into narrative paternal nuclei and maternal receptacles of mtDNA, and their tag-ends of haplotypes radiating into talents, across continents—Gabrielle d’Estrées, who was eighteen,
When she is first espied by the Duke of Navarre (1591 C.E.) likewise possessed the hair, blonde cendrée, of Rama-Nefru, whose firstborn, Peht-A-Ra toddled through hot coals on the night of the Collation, and spared the coronation of his half-brother—The Osirion’s

Flower of life is the blastocyst; burned into red granite as it was then, and by genteel transference, striding beneath Percier and Fontaine’s Arc de Triomphe du Carrousel (1806-1808 C.E.); inspecting the rose-streaked columns—Having only descended the Osirion’s
Transverse entrance elevated by lassitude and latitudes before the Napoleonic quadriga of Peace—Faster than the one hundred meters a man can run in ten seconds; framed by the Eames’s
Powers of Ten (1977 C.E.), as Rabelais, confounded in an eleven-month gestation of Gargantua (1534 C.E.) turning from the school of an entire city—Impressed from generations of the tomb painter’s plain
Units to the hairline; eighteen, whose subjects, where marginal, afflicted, none were ever alone in these proportions—Observances
At Vigoreux’s fountain to Georges Cuvier (1840 C.E.), in which Feuchère lifted the veil of Tehuti’s Garden of the Secluded by positioning the faces of Mut; seated between lioness and vulture, and lower third’s achievement of Jean-Siméon Chardin’s pantries, surmounted by the falcon Horus, for Lady Harris’s reinvocation of Atu VI. The Lovers (1938-1943 C.E.)—Cybrids,
Of the fittest horses; arising by centrifugation, where the axels of the chariots are, in themselves; having lost a depot for bile, a beneficence, are thus driven, to inappetence by cholecystokinin, diverged from a common mother into eighteen

Lineages, and completed, by its present karyon of Osiris, which proceeded from the paired Tetrads and Decad, or Eighteen

Rerum cognoscere causas (Georgica II.490 29 B.C.E.), read from Rue Linné, and from the bust of Clodomiro Picado Twight (17 April 1887-16 May 1944 C.E.) at the University of Costa Rica, for Penicillium antibiosis (1923 C.E.) and antivenin, and the work emerges as for Maro, the Augustan homecoming at the mouth at the Gulf of Árta (31.B.C.E) of Vulcan’s shield (Illiad XIII.606, Aeneid VIII.615) and his children’s destinies mirrored in unstinting Isiac temple basins replicating floodwaters of the Osirion—
For safekeeping, until the Nile inundation beginning in July, when the silver thread is rewoven, from the lives of soldier, groom, doctor, scribe, and equine cybrid—
Émile Amélineau, who brought the First dynasty Stèle du roi-Serpent (3800-1700 B.C.E) from Abydos to the Sully Wing (1896 C.E.); overshadowed, perhaps, by the Palais’s fallen counterweight (20 May) and the third Photo-Club de Paris exhibition (May 12-31th, 1896 C.E.), composed his thesis on the Nubian origins of Osiris and his consort, and the primacy of the horse for frail-legged Horus, the Sun—The translational set conceived by the Eames,
La Chaise (1948), consisting of two bonded fiberglass shells, a chromed base, and natural oak feet; reclaims the essence of Gaston Lachaise’s original broken welds (1924) of the figure to the couch (1927)—What was first seen, by the reined charioteer is a lateral aspect of the withers to the fold of the flank, and there, and entrance for the Sun on Deshret's fecundated plain
From Umm Al-Gaab, Abdjou, the eighth nome, so named for a reliquary of small pots, from where the mare chorion, with cup-like, humoral projections disappears, with the immune response analogous to humans after Day 100, for a viable birth—Forgiving the laboratory observance,

Before mortises and tenons, the heat bending of the staves of Solar barque, in an ascendancy only derived from the thousands of horses and chaises at the parting of the wave, and the dying of the fireworks of Rue Royale, for the 30 May 1770 observance

Of the marriage of Marie-Antoinette to the State—Jacques-Louis Ménétra, le Bienvue, comported himself, as he did on the Night of the Pig; François Boucher breathed his last—The yellow granite obelisk for Thebes; upturned in the Place de la Concorde (1836 C.E.) was towed, as one Ramses the Second dedicated at Memphis, by eighteen
Boats, and Nefertiri’s silence grew passing the tile kilns; not for the smoke, nor the plague epidemic (256 C.E.), plainly
Accorded in a strata of lime—For the Seine tileworks and public midden concealed by Catherine de’ Medici; one of the nine to be delivered after a decade of marriage, Marguerite de Valois (14 May 1553), and again, as Marie-Antoinette, confined in her last days to the Tuileries (6 October 1789)—Reverberations from the Osirion,
Longings for the seat of Isis, surround a firebird of the Stravinsky fountain (1983); forged when their cybrid
Creators lived in each other, from a period of Swiss exile when Ernest Ansermet played jazz records—An Eames

Multi-screen slide presentation could not do it justice—The plans for Case Study House 8 (May 1949) were published, and the Eames
Moved in on Christmas Eve, where our seven spirits are breathing; contained from the Pacific Palisades fog, as from the private residences of Amarna—Usermare, Nefertiti, Rama-Nehru are now enjoined by officiants, than by their observances
Of each other—By the Master of the Secret, who is shared between the two of us; the red, chorioallantois, and white, amnion, segregating the Two-Lands, the cybrid
Foaling upon which latter actions would depend, and required for balancing a chariot, and for marking in pen and compass on the Osirion—
What has taken so many lives to achieve; yet, unlike the litter of stillborn beasts ransacked from their tombs, or Maillol’s replicas of Dina Vierny from the Louvre labyrinth taken by one of the eighteen
Sons or fourteen daughters of Ramses IIPaul Signac’s flecked pointing on Alessandro Mendini’s Proust chair (1978), while being a plain

Commodification of the fact, the exertions of the literal sink in the Eye of Ma’at at whose surface reflects the Eames’s ergonomic shells polished until plainly the Eyes of Horus, and drift the band of the Milky Way seen from the fourth century tomorrow—Already arrived; in another time zone, which the felt observance loosens from other coils, other cybrids,
Channel catfish filling the Osirion gulping eighteen breaths to raise every eventuality of their hours—

Monday, May 4, 2015

XIX. Le bourgeon des extrémités

XIX. Le bourgeon des extrémités

"'But what does one atom out of place matter to you, an exfoliation that's a bit crooked, I said', 'in a solid that's destined to be enlarged infinitely according to a regular pattern? It's the single crystal we're working towards, the gigantic crystal.'"  –Italo Calvino’s “Crystals” from t zero (1967), from The Complete Cosmicomics (2014)

Vug; who would be Qwd, for quiddity, combined with the n-water ripple of the hieroglyphs, “D”
Architectural molding, for druse, of calcium oxalate likened first to slivers of asbestos in the mosses, at ease
In diffused gas, to be shored up as starch—Ursa major wheels fifteen degrees for each hour, upsetting neither the observer
Nor these analyses of endogenous viral elements (EVEs); some maintained as Florendovirus
That the imagined Kirlian true flower’s perforated ovule, which contains the negative space—Isamu Noguchi’s
Black Sun (1969), with its extrusions polished into fine veins, likewise, frames the Space Needle—

Middelheim; within Nightingale Park, in the city noted for its Bourse and Diamond Exchange; by its many sculptured palms of free trade, the hazards of theft, as if loosening the cascade from a crochet needle,
Pericle Fazzini’s La Sibilla (1947) pulls the peduncle of her own crown to tune an unheeded bandwidth—D
Sharp minor, of the third decade, Charles Valentin-Alkan’s Grande sonate: Les quatre âges Quasi Faust (1847), while detaching from internment at Poston, Arizona (1942) stirs preputial masts of the enduring lines of a reticulated eyepiece, Lunar Landscape (1943)—Noguchi
Covered the yantras of 〖XVIII〗^e Jaipur and the Beinecke Rare Book & Manuscript Library (1960-1963) in their filigrees—At ease,
Walking the exposed Roman Road denoted at XXX., sidetracked by the firmament at Calder’s stabile (1958) Dog (XX)—Bolted on five legs, its baying heads lurch under a tau cross marking each of the residences St. Francis billeted—St. Dominic’s mother received their form, as the observer’s
Moon dogs over the observatory; Rebecca Horn’s chromogenic color print (1992) activating human cone cells, from the disorder behind XVII. Camiel Van Breedam’s Sun Cart (1936), a veloplaned basket, which, speaking to florendoviruses,

Regarded versions of Brancusi’s Maiastra (1912) working in the Paris studio (1927-1929)—Inferring from germline integration of the viral capsid deep time unwound, where mast cells vent their histamines; conflating the wound’s florendoviruses 
Leda (1928), and the swan landing in alabaster, Leda (1942)—Hans Christian Andersen’s mother elder and father willow (1853), whose canes, steeped of their auxins, root entire banks of the needle
Dams forming a sluice—8 July 1873, Rimbaud arrives in Brussels, and a hour from the thirty hectares of the sculpture park, of Marino Marini’s XIX Miracolo (1958)—The horse and rider combined, with intervals of DNA of the most aromatic, and difficult to grow, pinot noir, from its annexations of observers—
Clinging, as a substitute, in all directions, look to the radiating chapels of Santa Maria del Popolo, where a vagabond is about to make off with lithe-legged Saul’s horse (1600); paralyzed, following the climax of love, the “D
Daleth is splayed among ribbons of his clothes—Collapsible Akari whirl on invisible augers in the Castle gift shop, as if Noguchi’s
Medullary mulberry recuperates the “Made in Nippon” lights at gatherings, where they were at ease—

The speaking acquaintance; though we logged the same rolls, and her pediatrician husband, who carried a plush unicorn, of one of the two clambering over Tony Cragg’s XXXIX. Envelope (1949)—She felt the need to stand; heavily pregnant, and then to take a seat, at ease,
In silence—Their hair was the band of blood vein moth calling to mind grated ginger in a microplane; the same with the paternal tint darkened in the doting father—With one’s determination; keeping Florendovirus
Alleles within the population of Viridiflora tulips, to ban mutated hopes seen in these beds everyplace the mulch thins; the topography of where the imagined fortress does not coincide with the real one—Noguchi
Plans so many evasions to ordered gardens; submits the airmailed pavements, of the unbuilt models starting with Play Mountain (1933); at last, to arrive at the apt model, Jardins de l'Unesco (1958; restored 1999-2000)—After every deep sleep, the Van Allen Belt synchronizes in Hertz with the molten iron cores below and within, and threads the needle
Projected where the Moon made a last dash, went over the curved grillwork of the bridge—Observers
Noted those attached were winched over the stayed cables of the Roeblings’s plans; cemented with a sifted Late Silurian formation to the sound of a solitary D
Major scale of a tin whistle, of a boy in performance after lights out—Massive as the Sun, the class D
White dwarf companion of Procyon; its fate outspreads the current age of the universe, which can be discerned with ease—
Schott glass admits no secondary spectrum—Recalling the provenance of the de Salis (naturalized British 1731) escutcheon overlooking Jérôme 2nd Count de Salis (8 July 1709 – 8 August 1794), there appeared an in island where observers
Of this may take the floating staircase lowered into the excavation at Chur, bordered in timber lamellas of the Shelter Zumthor subtended (1989), as an ark—Curtailing the expansion of the ideas of Louise Nevelson’s matte Sky Cathedral (1958), with its only palpated mountings—Mote in the colonized genomes of florendovirus
Begonias systematized into kilims, when last year guided this late taking-in of Floralia of Château
Grand-Bigard—Isamu Noguchi’s
Endless Coupling (1958); arranged in opposing axes, as the IBM headquarters gardens (1964), suggest the crossing solar and lunar routes; Rahu and Ketu, the latter remedy of which is a black and white dog—Clouds feather as if they were weft with a barbed needle

A Dutch deserter, Rimbaud escapes after losing The Wandering Chief’s entire hold of sugar, from Cork to Liverpool to take the train (January 1877), where the compass needle
Remits its rust, having been originally designed as tool for Han divination, or the magnetized lodestone of a spoon, for famine or surfeit; in either, the parallel corpora put in force silence, with a “D”
Denoting change—It was not base interest; directing commodities, rather how to find
Amphitrite, the iridescent polychaete in Java, which had an intended meaning, in vers impairs—Isamu Noguchi
The urge to dive in after his parents forsaken rings, the pitted fruit of their love, converses with ease
Beyond the details  bleared by series of crises into the varicolored Sun at Midnight (1973); seeing it best with our eyes closed, to block out any indications whether we were higher or lower than the starting point, regardless of observers—

Waking self-incompatibility and double fertilizationFlorendovirus induces the first pollen tube; perceived as the heart’s needle, despite the indifference towards materials, the quantum wave attaches to all entities—
Isamu Noguchi’s Helix of the Endless (1985) accruing exes, from the stairway ascent, or burnt offering and to inspect, or lean down, and phi, the generative principle, all of which rival the Roman D, (500)—
The matter, once bowed to the observer, to play upon these inner strings, finds its ease, to later to walk straight down the middle, to the sun-warmed XIX. Cantate Domino (1958)—