XIX. Le bourgeon des extrémités

XIX. Le bourgeon des extrémités

"'But what does one atom out of place matter to you, an exfoliation that's a bit crooked, I said', 'in a solid that's destined to be enlarged infinitely according to a regular pattern? It's the single crystal we're working towards, the gigantic crystal.'"  –Italo Calvino’s “Crystals” from t zero (1967), from The Complete Cosmicomics (2014)

Vug; who would be Qwd, for quiddity, combined with the n-water ripple of the hieroglyphs, “D”
Architectural molding, for druse, of calcium oxalate likened first to slivers of asbestos in the mosses, at ease
In diffused gas, to be shored up as starch—Ursa major wheels fifteen degrees for each hour, upsetting neither the observer
Nor these analyses of endogenous viral elements (EVEs); some maintained as Florendovirus
That the imagined Kirlian true flower’s perforated ovule, which contains the negative space—Isamu Noguchi’s
Black Sun (1969), with its extrusions polished into fine veins, likewise, frames the Space Needle—

Middelheim; within Nightingale Park, in the city noted for its Bourse and Diamond Exchange; by its many sculptured palms of free trade, the hazards of theft, as if loosening the cascade from a crochet needle,
Pericle Fazzini’s La Sibilla (1947) pulls the peduncle of her own crown to tune an unheeded bandwidth—D
Sharp minor, of the third decade, Charles Valentin-Alkan’s Grande sonate: Les quatre âges Quasi Faust (1847), while detaching from internment at Poston, Arizona (1942) stirs preputial masts of the enduring lines of a reticulated eyepiece, Lunar Landscape (1943)—Noguchi
Covered the yantras of 〖XVIII〗^e Jaipur and the Beinecke Rare Book & Manuscript Library (1960-1963) in their filigrees—At ease,
Walking the exposed Roman Road denoted at XXX., sidetracked by the firmament at Calder’s stabile (1958) Dog (XX)—Bolted on five legs, its baying heads lurch under a tau cross marking each of the residences St. Francis billeted—St. Dominic’s mother received their form, as the observer’s
Moon dogs over the observatory; Rebecca Horn’s chromogenic color print (1992) activating human cone cells, from the disorder behind XVII. Camiel Van Breedam’s Sun Cart (1936), a veloplaned basket, which, speaking to florendoviruses,

Regarded versions of Brancusi’s Maiastra (1912) working in the Paris studio (1927-1929)—Inferring from germline integration of the viral capsid deep time unwound, where mast cells vent their histamines; conflating the wound’s florendoviruses 
Leda (1928), and the swan landing in alabaster, Leda (1942)—Hans Christian Andersen’s mother elder and father willow (1853), whose canes, steeped of their auxins, root entire banks of the needle
Dams forming a sluice—8 July 1873, Rimbaud arrives in Brussels, and a hour from the thirty hectares of the sculpture park, of Marino Marini’s XIX Miracolo (1958)—The horse and rider combined, with intervals of DNA of the most aromatic, and difficult to grow, pinot noir, from its annexations of observers—
Clinging, as a substitute, in all directions, look to the radiating chapels of Santa Maria del Popolo, where a vagabond is about to make off with lithe-legged Saul’s horse (1600); paralyzed, following the climax of love, the “D”
Daleth is splayed among ribbons of his clothes—Collapsible Akari whirl on invisible augers in the Castle gift shop, as if Noguchi’s
Medullary mulberry recuperates the “Made in Nippon” lights at gatherings, where they were at ease—

The speaking acquaintance; though we logged the same rolls, and her pediatrician husband, who carried a plush unicorn, of one of the two clambering over Tony Cragg’s XXXIX. Envelope (1949)—She felt the need to stand; heavily pregnant, and then to take a seat, at ease,

In silence—Their hair was the band of blood vein moth calling to mind grated ginger in a microplane; the same with the paternal tint darkened in the doting father—With one’s determination; keeping Florendovirus

Alleles within the population of Viridiflora tulips, to ban mutated hopes seen in these beds everyplace the mulch thins; the topography of where the imagined fortress does not coincide with the real one—Noguchi
Plans so many evasions to ordered gardens; submits the airmailed pavements, of the unbuilt models starting with Play Mountain (1933); at last, to arrive at the apt model, Jardins de l'Unesco (1958; restored 1999-2000)—After every deep sleep, the Van Allen Belt synchronizes in Hertz with the molten iron cores below and within, and threads the needle

Projected where the Moon made a last dash, went over the curved grillwork of the bridge—Observers
Noted those attached were winched over the stayed cables of the Roeblings’s plans; cemented with a sifted Late Silurian formation to the sound of a solitary D

Major scale of a tin whistle, of a boy in performance after lights out—Massive as the Sun, the class D

White dwarf companion of Procyon; its fate outspreads the current age of the universe, which can be discerned with ease—

Schott glass admits no secondary spectrum—Recalling the provenance of the de Salis (naturalized British 1731) escutcheon overlooking Jérôme 2^nd Count de Salis (8 July 1709 – 8 August 1794), there appeared an in island where observers

Of this may take the floating staircase lowered into the excavation at Chur, bordered in timber lamellas of the Shelter Zumthor subtended (1989), as an ark—Curtailing the expansion of the ideas of Louise Nevelson’s matte Sky Cathedral (1958), with its only palpated mountings—Mote in the colonized genomes of florendovirus
Begonias systematized into kilims, when last year guided this late taking-in of Floralia of Château

Grand-Bigard—Isamu Noguchi’s

Endless Coupling (1958); arranged in opposing axes, as the IBM headquarters gardens (1964), suggest the crossing solar and lunar routes; Rahu and Ketu, the latter remedy of which is a black and white dog—Clouds feather as if they were weft with a barbed needle

A Dutch deserter, Rimbaud escapes after losing The Wandering Chief’s entire hold of sugar, from Cork to Liverpool to take the train (January 1877), where the compass needle
Remits its rust, having been originally designed as tool for Han divination, or the magnetized lodestone of a spoon, for famine or surfeit; in either, the parallel corpora put in force silence, with a “D”
Denoting change—It was not base interest; directing commodities, rather how to find

Amphitrite, the iridescent polychaete in Java, which had an intended meaning, in vers impairs—Isamu Noguchi

The urge to dive in after his parents forsaken rings, the pitted fruit of their love, converses with ease
Beyond the details  bleared by series of crises into the varicolored Sun at Midnight (1973); seeing it best with our eyes closed, to block out any indications whether we were higher or lower than the starting point, regardless of observers—

Mitosis, a state of desire presupposes necessarily a desired something bound to florendovirus

Waking self-incompatibility and double fertilization—Florendovirus induces the first pollen tube; perceived as the heart’s needle, despite the indifference towards materials, the quantum wave attaches to all entities—
Isamu Noguchi’s Helix of the Endless (1985) accruing exes, from the stairway ascent, or burnt offering and to inspect, or lean down, and phi, the generative principle, all of which rival the Roman D, (500)—
The matter, once bowed to the observer, to play upon these inner strings, finds its ease, to later to walk straight down the middle, to the sun-warmed XIX. Cantate Domino (1958)—