The toughness of jade—Put to work by early civilizations for axes,
Hammers—Its bearers braced their feeble legs from being sent
Spinning, from returning with a battered steel anvil and unflaked nephrite—
Recognize what force the labor requires, how a network of ferrous iron
Imparts the green color—Abraded until it conforms to swirled molds of the sky.
That it was only the question of who should make the sacrifice—
To match what passes between subducting slab and mantle, our sacrifices
Rise most steadily above the present abyss—Points of fire, the spreading axes,
A geochemical signature becoming stronger near the volcanic front. The sky
Portends a storm—A cardinal mistake of photography is having the Sun behind, to send
Up atmospheres after receiving its facets from fucus burned to ash—Dissolved iron
Rakes in the seawater, where a fabled kingfisher foams the nest—Consider nephrite,
Where a desert wind lashes—This mote of buried ocean, is it nephrite,
Or jadeite? So much worse for the attuned eye, for so many sacrificed
Steel hacksaw blades cannot reasonably apprehend it. Perhaps the iron
Blood—Pierced at brief intervals, or collecting in two fingers of bathwater—Forms axes
Likely at the disposal of anyone, for the lack of seductive descriptions, to send
Up a rectification of its laws—Similarly, a voiced impatience cuts the sky
Just as a patient master would with jade, a bowstring, abrasives—This inner sky
Submitted as the gap this missive filled; formerly tinged ultramarine, is nephrite
And jadeite, both of which are impervious to mallet strikes—And the send away
Message that still affects us deeply at the present time, is a consumed sacrifice—
Adjudged to be twinges of water deficit—A contaminant without which these axes
Would doubt their original function—Redeemed flecks of transition metals—Iron,
Being the major constituent—Pigments the jade, the blood, if to endow iron-
Wrought, seemingly plastic, enterprises with the sacred—Pausing before the sky’s
Muted bluster with intervening depressions, our quarrels are exampled nowhere but axes
Shattered on jade bedrock—This is a mortal embrace, reborn again from nephrite
The cherished dreams of disintegration—Deriving strength from refusal, we send
Out flares from our respective trenches, yet these generative mysteries sent out
Consistently disown their personal antecedents—Sweeping the foliage for iron
Fall, these intransigent others warp between two oceanic plates, cooling to nephrite—
Blows—These sent replies proliferate unripe flavors; the figures, if stunned by axes,
Ignore all else to strike for nephrite—A farsighted dream transits geological time with your iron
8 comments:
I will put Exercise 86 here.
https://1drv.ms/b/s!AsA4BY25Ql_1lBrGwmVa9djb7LCA
I will out Exercise 89 here.
https://history.howstuffworks.com/american-history/the-dakota.htm
I am reading this, not as an overreaching perusal. I read a book about The Plaza, so this is a natural topical interest intersecting the transient nature of hotel life, culture, art, architecture...
https://www.hachettebookgroup.com/titles/julie-satow/the-plaza/9781455566662/?lens=twelve
https://www.google.com/books/edition/Life_at_the_Dakota/MtPSCgAAQBAJ?hl=en&gbpv=1&dq=life%20at%20the%20dakota&pg=PP1&printsec=frontcover
Marjorie Morningstar features Dakota West as a frame. It was not for her or for me. Thank you for pointing this out, from 2013.
Exercise 89:
https://1drv.ms/i/s!AsA4BY25Ql_1mXr1Fm17KsV3pCiR
Exercise 91.
Thinking of jade: I think you would like McKee (1942) or Anchor Hocking's Fire King (1945) for its milky green translucency. It is a hot commodity since Martha Stewart sold it through her catalog in the 1990s.
A hutch or accent wall against jadeite:
https://www.farrow-ball.com/us/paint/green-smoke?gad_source=1&gclid=CjwKCAjwjqWzBhAqEiwAQmtgT9b76r9a08a4TX6GcJdDW7B5171iOTZP5a3EF5PCMsqDtGoqIj8ATRoCIXEQAvD_BwE
https://www.marthastewart.com/851601/marthas-jadeite-collection
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