XX. Créance

XX. Créance

All the while walking at dawn, barely incorporated, we embrace
Palais à quatre heures du matin (1932), and within this oneiric edifice,
Or a temple on a terrace—Sit-shamshi, on which a forest lies open to today’s order

Of smelted copper—For this pair of lovers, whose transparent lymph evaporates
Into Giacometti’s plaster—Contemporary eyes register a center pivot irrigation scheme—
Libations are poured on false doors—Burning tears of the gin horse are recovered,

The threshing barn walls bowed for one whose name is Zagreus—His recovered
Heart, whose name signifies both a range, and fall pit for wild animals, grades an embracing

Pile-up of the Arabian and Eurasian plates—As for the Dieulafoy diarists, we claim their schemes

Of nativity sifting layers of the Susa acropolis, or Doris Lessing’s Kirmaşan—A British edifice

Shed to scald maize in Zimbabwe—Before the false door’s brink and ultimate end; a slow evaporate

From a knotted ankh, there is a bone dice’s prospect we are in the very act of severing, with ordinal

Names from provinces conversant as ours—At the 4th hour, On ne joue plus (1932), variability of order

Is shelled—Our feet recuperate this singed ley, and shell of a house—A journey’s four legs covered;

Frozen already in your blinds, there is no off beam to authenticate—Alchemical evaporites
Collect fruitlessly within the fume of sleep—Shed in crisis, here is a dominant and embracing
Hand indurating Dürer’s copperplate, a bronze polyhedral hypostasis of Table surréaliste (1933)—Edifice
Or firetrap, awake in the standing sediment of Giacometti’s match palace, with a laboratory scheme’s

Full harshness—Calcium fluxes NMDA gates; their launched, retracted dendritic arbors—Schemas

Attune voltmeters paying no attention to the activity-dependent sensory memory map—Orders

Of a woman who, concentrating all life in herself, grasps memantine’s exchangeability with an edifice

Decided from wood, glass, wire, and string—A carbon skeleton with an amine bridgehead recovers

The verifiable identity of a NDMA antagonist—Adamantane’s assumed diamond structure, or bracing

Scent of camphor—Ciphers are merely an indication of a greater imagistic formulary that evaporates

Hermetic systems—A pterodactyl is put to flight from its oil fraction; a reflecting pool evaporates—
In its pattern of NMDA-induced burst firing, a projecting ka is received, and understood—Each schematic
While unremarkable, founds an action; the basis of mirror neurons—They compel us to this embrace

It follows the neuroexcitatory, or ecstatic state of water nymphs; that is, lymphatic—The orders

Do not come from the sectioned body, nor are they filed under specialties—Giacometti covered

An imperceptible boundary pronounced by the second-century Artemidorus—From an assenting edifice

 
Inscribed from the Lydian motherland—Five books of Oneirocritica concentrate into an edifice,
What the revenant substitutes for a moonscape; float glass levels on a bed of molten tin—A batch evaporates
For accomplishing this—In the performance of banal conversation, we clash with ourselves, discovering
New incongruities—The pheasants and electrum are notional offerings before false doors—Schematics
Of loved ones dwell in undercrofts of On ne joue plus—The game piece's upraised arms issue orders
For nourishment—You will have no difficulty recognizing that the suffix of you is ka—We embrace,

And concretion of that god’s vagrant heart is twice-born, edified; calcined gypsum sets—Embracing

These orders, accepting them as such, our steeled burin germinates the copper plate—Evaporating

Into a reply—That we might lay amid sleepers, or the uncovered schematics at 4 a.m., and remain fireproof.