VI. Le Chardonneret élégant

VI. Le Chardonneret élégant

Thumb-sharp, the keeled sternum beneath the molt, and recovered

Speaking carp’s pin bones swept from a lot’s draped ledge with strung-up game—

Inundated three-level world in a pitched cedar frame, of inseparable pairs

In the Second Quarter of Delft, half-past six of the Thunderclap (1654)—A lockup

Of wild beasts minding vats of pernambuco, the Rasphuis’s tidal oubliette leveled

For a swimming pool (1892)—With the order to break the dikes (1574), six

Waterlogged volumes of Leiden choirbooks; cavorting heel-headed dogfish—Holy Sonnet VI
The sestet, to heaven her first seat takes flight (1633)—Kepler’s corona (1547) recovered—

Immensity cloistered, from Donne’s Corona (1610)—Constantijn Huygen’s Heilige Daghen (1645) leveled

Like the sea in the moon's bloodray—Celan, Vienna (1948)—Thousand-guilder tulips afire by game
Preservers, frameshifting viruses—Leiden passengers of the Mayflower (1620), their descendants still pairing

Off on Cape Cod’s fishhook—After two years at Leiden University, Rembrandt’s Balaam, whose lockup

Of blindness is prefaced by blank faces, the ass heeding the angel (1626) as the paint mare’s lockup,

Caravaggio’s Saul on the Road to Damascus (1600) Lastman viewed in Rome; by extension, his six

Month apprentice—Rembrandt, who Constantijn Huygens engages by seven letters a five-part Passion pairing

The artist’s initials and Leiden (RHL)—For the Orange gallery, and interim of Géométrie (1637), or the recovery
Of planes into five algebraic operations—Christiaan Huygens waives squaring the circle leveling

Quadrature to rectification of ellipses, the catenary—Pythagoras of Chios’s circle area to 6 lunes extending a dimensional game

Using only a straight edge and compass, area of a hexagon by six semicircles—Tacit games,
Styling a suspending rope into a parabola—To where it started; chaotic jet streams locked up
At 78°N as the hexagonal squall on Saturn, with current palisades of helium, methane leveling
Lestiboudois’s unfixed gravebed rooting phosphorus—Rembrandt’s drypoint of Jan Six's
Medea (1648), the sorceress flaming beneath Juno as the officiate of their pairing
Redoubled wavefronts, bending around subjects, the turned Delft, as Galileo’s rings recovered

By Spinoza’s lenses, an achieved magnification (30x), and the moon Titan Huygens recovered
In anagram (1655)—Old Master specialist Jan Six XI, before a portrait of the bridegroom (1654); and a game

Recollected through gainful marriages, first to the daughter of Nicolaes Tulp, anatomist—Disparate
Elements, such as the flexor compartment and trademark R in the criminal’s navel (1632), are locked up,
Convex mirrors refract rays, which enter six of Vermeer’s canvases—Yonville's apothecary leveling
Opiate resin, lunar caustic in the Royal Delft factory (Est. 1653) vessels—Myshkin, being away just six

Months, travels in a circle where the centripetal and centrifugal forces cancel—The 1666
Move to Paris, Christiaan Huygens is decorated into the Académie des Sciences with Perrault, who recovered

Apollo’s vision, Charles Le Brun’s Le Peinture (1668)—Emma Bovary uncollapses her social leveling—

Her male counterpart, Léon Dupuis as Huygens estimated stellar distances through a pinhole, gaming

The Sun’s glare to Sirius, and it burnt there more brightly than the fire travelers—Here, Flaubert locks up

Myshkin’s correspondence—have left on the snow of a Russian steppe—Fittingly, Fabritius’s Goldfinch (1654) is surrendered in Antwerp pairing

Rembrandt Bugatti as guardian Marabout over a war-slaughtered animalhouse—Pairing Antwerp 6+

Mass production with shuttered libraries, we reexamine leveled values and the game of assemblage

Following a terrorist blast; there, our strength is locked up, as at age six, after Rimbaud’s father’s desertion, and recovered—Light here and there, alone like stars; not death’s ground for silencing, Terre des hommes (1939)—