Friday, October 3, 2014

XX. Faire un trou [au milieu d’une feuille]


XX. Faire un trou [au milieu d’une feuille]

PROSPERO: Flies and bodies wind in the fences of a cruel abacus sprayed with pyrethroids
DDT (1944), the first for fulminant typhus in wake of the Portici Palace's entomological specimens with nodding
Vesuvius beyond which Newchurch Tempest VI squadrons disperse their tonnage (1944), and their tender
Wings shear Victor Hugo’s executed in the forest of laws (1870), save for all obstructed labors,
Of the Vistula mermaid in the Warsz sewers—Further than where a woman hangs from a balcony,
Preparing to drop (1944)—My bird (IV.i.185), more slain by glass towers than mite precipitate, La Médieuse

ARIEL: In the vaulted postern's phalanx of grave beetles, where life staggers to its legs on fresh shavings, La Médieuse
Bends to spare her pearl tracesDe novo resistance, all the torn chrysanthemum’s pyrethroids
Bead on these yellow sands complete as a bed, where the substance christens unceasingly to the surface—Balcony
Views from one of Place de l'Étoile's ten arms radiating as a post-war folio, Éluard’s Souvenirs de la maison des fous (November 1943)—Nodding
Apparitions of Messiaen’s Turangalîla-symphonie (1946-1948) Bernstein conducted (1949)—Tender,
Yet temperate, she grants tinned oysters obscured in the trenches; an ascent of a hand in advance of the laboring

MIRANDA: Partisans sheltering in the forest for Operation Tempest (1943), where crowning labor
Transpires in unsilvered mirrors through a nocturnal surge—Melatonin and oxytocin's enfolding stubble of ermine pelts of street craters—La Médieuse
Deposits her journals in wreckage, where sabotage and resettlement is spoken in April from Bermuda (1943), exposed by tenderness—
Even at fires at the intersections, flower heads of broken panes showered on teratologists of pyrethroids—
Valentine Hugo’s dry points revive girlhood sketches of the Les Ballets Russes; she would go on to outfit La Passion de Jeanne d'Arc (1928), from maquettes of the balcony
Scene from Cocteau’s Roméo et Juliette (1924)—Unwritten letters tucked into a prodigious library guide her hand to confession before nodding

PROSPERO: Off for 48-hours; unrecantable green, from the first, translucent red paper of Robert Smithson’s Enantiomorphic Chambers (1965), in which a fused image nodding
From closing doors of trains and elevators pledges the lonely mirror that wondered until it was made crystalline—Belaboring
Remarks of morulae and buried homunculi of ginger; love’s three curved mirrors cancel all aberrations seen from above and below the balconies—
Framed by the horses of Cour Marly, and lending what is seen our intense signature, from Médieuse II
Mon passé m’est fidèle / Le temps court dans mes veines (1939); the year Franco’s government is recognized, as always, is tenderness,
Overheard in these spiral perfusions made by Neptune and Amphitrite by Coysevox (1699); not having forgotten the soluble pyrethroids—

ARIEL: Docile consort, whose name collapses into Delphinus, on positive wave interference capsizing Stefano, Stephen Hopkins, on Bermuda (1609); even for curs, pyrethroid
Fumigation was sorely lacking in their hammocks—Austerity also bids unforeseen abundance, les vins des sables of the nodding
Rhône-Alpes through Lake Geneva, terminating in the salt pans inhibiting phylloxera scale—Tenderness
Had never been my lord’s province, but for refugees flooding the capitals laboring
Disgracefully—Trained up by brutality, and cursing the softest touch with hands yellowed with nicotine; hustling from balconies,
Cy Twombly’s Veil of Orpheus (1968) becomes a nightmare of strident nails on plaster of Iod (Yod), the exclusive Ego— La Médieuse’s

MIRANDA: Negative image of Judgement to envisage Mercy, and the fertile Water Snakes (1904-1907) slipping beneath the Moon's tree, with no other woman’s face remembered (III.i.49)—La Médieuse,

Besides yourself—The timed act of V. Joie du sang des étoiles; blooming ornaments of the Imperial Seal of Japan into pyrethroids
Deriving as many as eight stereoisomers—Unsuspected, asymmetrical events at the border of a garden wafting in from the balcony's
French doors incrementing the Lunar New Year, the dense unbeing para 0—Other gatherers’s elderflowers conceived on the thirteenth month; and until nodding,
Cradled in our arms—This, our conceit of autumn, when the evening shades burn like lanterns, is tenderness
Absorbing reprimand—Ten years after Picasso’s Les Signes du zodiaque (1924), Valentine Hugo made him Taurus, for being born in the last degrees, of Pluto—Laboring

Minotaur; withdrawing into your labyrinth of a sea cavern—Laboring toward an anthology of La Médieuse, for the spiraling
Matronym of our nodding, if certain figures—Le Balcon’s Mère des Souvenirs, maîtresse des maîtresses (1857)
Said as the Master; incite me with a bruise's tenderness, with pyrethroids of yellow stamens thrown on the pyre—

2 comments:

Σφιγξ said...

Yes, I had mentioned Klimt's Water Snakes, but for Exercise 50 I needed to subvert what I had been seeing since the influx of art posters. I will renovate that image in time.

Σφιγξ said...

https://www.sciencedirect.com/science/article/abs/pii/S0161813X16301553