XVI. Faire une double porte qui nous nous ouvrions

XVI. Faire une double porte qui nous nous ouvrions

Fores and valvae are barriers; those outside, foras, are called fores, and valvae are rolled back, revolvuntur, within. They have two sections and can fold. General use has confused these terms. —Isidore of Seville's Etymologiae

Peace was represented by a slender female figure, clothed in thinnest raiment, and girdled, with a torch in her hand, which was kindling a heap of weapons bound together like a trophy. You could see likewise part of a temple, in which was Fury bound by many chains. Round about was the device Clauduntur belli portae.  While I was finishing this medal, the man I had struck recovered […] –The Autobiography of Benvenuto Cellini I.lxix

Lettered on the Arch of Janus, composed of spolia, one could not absolve being “Welcome”
While not being incorporated anywhere—Split and twisted syringa of the court, as the utensil for a flute
Player, and origin of the syringe—The castigated Marsyas is as soon as perfected the double aulos pared
Of his shagginess, for a wineskin, into every one of these figures, at the rate of firing the furniture and plate
To stream the bronze casing of Perseus (1548-54)—Resurfacing, under death’s cover of chastity, before Miró and Breton’s Constellations (1939-1941; 1958)—
Mottled ruefully before lilac forage, galactagogue of goats; in tablet form—Glucophage, or Metformin’s

Double flowering in carotid intima-medial depths where unconsciousness spurs—Danaë’s  son, of the Piazza della Signoria, whose sinuous iliac furrow, patinated forces metamorphopsia of extracted florets for Metaformin's
Stamp on the hepatic depot—Unhurriedly transforming every sign into its opposite, from sweet, enervating accretions in the limbs pounced into the eyelet holes, into such a pose—Welcomed,
Asserting one's hegemony among harpists; worsened among the persistent, and at peace—Hierogrammatic letters were not wanted, renovated by the Catalan’s final Constellation,
But the effect results from their conjunctions, to which we are subordinated—Rereading a few entries (1558-1563), while having absorbed their import, as the fingering of a one-key flute,
Arrive at Le passage de l’oiseau divin N° 22 (1941), with its upturned jaundiced eye, after reparations for Ganymede (1547)—Rather, an elision than backing more fruitless charges, with the suffocation of a natural son (1546)—Unpaired,
Sortir avec un très mince fagot d'épines incandescentes, from Breton’s Personnage blessé, after Plate VII.

Jove’s golden rain gasping to complete its cycle—Braille of the caltrops of the windowsill’s L'échelle de l'évasion (1958), Plate II (1939)—
After which there would transpire snails, directly above siege rapes and typhus, May 6, 1527, the Duke of Montpensier scaled the Porta Turrionis into Cellini’s arquebus smoke; the upheld proximity and target, buried in the recoil—Metaformin
Breaks fortifications of metastases by way of insulin reception, along which this roving Eye travels until pared
Down to the realities of the Maths and Evolution Tower requirements, of A Whistling Woman (2002)—Welcoming,
Outfitted with the Kunsthistorisches's sensors and around-the-clock guards, the latter where Cellini
Sometimes wanders without malice through doubled reinforcements of glass, an alarmed case’s constellation
Of his Saliera (1543), which would have continued its 1000 days absconded (2003); without a market, worthless, housing the Earth and Ocean’s peppercorns and mined salt under a divorced guard’s double bed, where the wind makes flutes

Of his bones; a plainchant of car stereos and loneliness disrupted by his SMS, and location—Above, a bird’s wind-cutting flute
Pipes Exoriare aliquis nostris ex ossibus ultor (Aeneid, IV.625)—Native brevity never understood, only the analysand’s plate
Tectonics, as the know-how of small faces through the silvery clockwork of the Durham Dales's Swan, or dark water of the moat, which perfectly reflected the white swans; not elephants, not this time, but a couple with a child—The Northern hemisphere’s constellation
Pisces, viewed by the ancients as swimming together, at November's eleven degree declination, are now spaced, where Metformin
Activates 5' AMP-activated protein kinase, from last month’s further penetrating sunspot of the last 22 years—Goats pairing
The biographical niches of Cellini’s Perseus were first modeled with clay-decomposed clothes until they became an unguent, for the satyr’s assiduity with their liquor, imparted by their blood—Welcoming,

If for the female night shadows, Miró’s thoughts—If even one form is out of place, the circulation stops; the balance is broken (1959)—Welcome-struck

By the choice of language, where there are no assumed politics, but the instincts playing out in the fluted

Semiconductor and greasy deposits of ion channels of the snail’s giant neurons—Arrays the pochoirs resemble translating mémoires abruptly discontinued in 1562—Paring

Searchable images of Caravaggio’s Isaac (1602); the messenger is unseen for the unwilling sacrifice—Before whom the molecules were aligned on the cutting steel, then the plummeting knife a plate

Camera blunders—Inquiries as to whether this is Ovis aries, or do the more erect horns belong to Capra, whose panoramic vision up to 340 degrees would be best positioned for the tenebrous constellation

Of the one too shocked to wail—Waking the yews, in concert through the strings of a Hepworth—Metformin’s

Biguanide interaction at 13C NMR predicting biological partitions—The fractionated molecule’s retention time; Metaformin
Affecting vasodilation reserve—A watchman on a high tower of anatomical illustration, the upper and lower window bidding welcome
From the cold, from interference, with the results labeled as departmental—Constellation N° 20
Le bel oiseau déchiffrant l'inconnu au couple d'amoureux among unlit hourglasses and contained nightingales fluting
Midnight from their springs; meubles, from mobilis, inconstant, portents of La Peau de Chagrin (1831) paring
A life—Nothing like the Quartet’s heroine having done nothing feminine to make things comfortable in spite of fruit decaying on the faïence plate

Over the eleven-feathered peacock logo of a broadcast network, the leonine strength in plate bosses of books—Too blunt in our feelings for the discourse of Metformin's
Blocked gluconeogenesis at the shuttle enzyme, or these faint suggestions of light-spotted constellations, or actually hearing the flutist's
Intonations—Cause for what Miró highlighted, or the Mannerist advancing toward our paired reality, with more not less, of this loving welcome, which is inconceivable with anyone else—