XIV. Se mélanger avec les anciens

XIV. Se mélanger avec les anciens

In a back room with red hot hangings / And planned fury to fall / To set the homes they’d left afire with love— Stephen Spender’s Exiles from Their Land, History Their Domicile (1934) from Collected Poems 1928-1953

But at last, in the middle of the telescope's complicated shadow, a disk of milky white appeared. – Arthur C. Clarke and Stephen Baxter’s Sunstorm (2005)

The comminution of silver in a solitary tread of the Eagle’s footprint (20 July 1969), in the station

That is Les Rendez-vous d’Anna (1978) listening in on one of Earth’s distant recitatives

Held from a Schaller GmbH phone booth scaled to a circuited decal—One such proposal to mine water from apatite without specifying the tusk, tooth, or gem, to be melted

Into roads 60 degrees ahead or behind Lagrangian equilibrium—Another, where its resident Rauzzini caroled Mozart’s juvenilia before the Austens; later terrorists had made parpaings of all front entrances, their combined towers each totaling thirty steps of Bath Abbey’s Jacob’s Ladders before which the Council elected to add another space gravity elevator—

Instead, the only evidence of a body, not a hologram, were piezo elements in the floor of Mir, and our persistence here is a dispatch from mother, or the fabric fall at the throat passing for a patterned necktie; judging by the break-in at the gateway fluoroelastomer seal, from where the occupant was forcibly escorted—

Mikhail Martynov again studies a heaven-printed world among the softscreens of the Sun—

Relocated into the harrow of thrown things, Occator of Ceres—Once situated on a lake above significant films of the atmosphere, Big Bear Observatory’s three to two contraction with generation of a photon H-alpha’s filters focused on the laborious 25 days before the counterclockwise half-day of the colliding Jovian, the Sun

Red as Mars—Coming online two weeks after the hot slash in the tacholine reclosed, followed by the uninterrupted recitative

Of the multicells's updraft and downdraft of couplet bursts, then condensation, and wiped imagining of fringes of the paler penumbra as chicken-of-the-woods shelved on oaks wound—Much of the escorted

Debris of the Roxy Renaissance Kinos, as the tenth planet at an unseen point pulling at the 98 degree tilt of Uranus, the first object of the Kuiper-Edgeworth belt reclassified as a comet, 2060 Chiron hiding in the 1895 perihelion plates, and once Hermann Goldschmidt’s mistaken moon of Saturn (1861) among his fourteen asteroids set aside from melting

Ice into water and Hadean zircons on the ocean surface up toward undergrowth now hosting an age of spores—Out of glades of wallpaper soon illuminated with the melanocytic radiotrophs of Chernobyl; elevators

Having for years, failed, survivors unearthed from their bunkers and defined diets had both insulin resistance, and from what was supposed interminable dejection, were off their food—In the absence of animals for slaughter, the complexing organic matter, rather than arising in furrowed phosphorus— —of The Lost Lunar Baedeker (1923), burgeons from mushroom chromium (III) picolinate—5-HT2A receptors patterned

In the blind gut leveled by celestial pabulum; the oral dosage likewise abetted receptive jags of brain fog serotonin by liberating tryptophan—Encountering the patterned

Dulwich Picture Gallery, where the last seen installation of Ravilious watercolors (2015) had forsworn an estimate of life, every subsequent eleven years when the Sun

Reorients by magnetized horseshoe turns of its sunspots—Here, is the steamrolled back garden plot for bulbs, and beyond the fly-chair of Versailles, where algorithm traction elevators,

Miniaturized from radionuclide panels in its standby basement and six-floor annex electrify the scaffolding and struts passively spiraling air at the reconstructed site of 30 St. Mary Axe—One learns to ignore the recitative

Ascent of twenty kilometers into the stratosphere with Barbier’s night-writing collisions into every intermittent particle to check on the Huperzia mossbeds gathered for a cocktail against iron storage and neuronal death in the greater humanity escorted

By trauma into a mass forgetfulness, for which armamentaria embrace Laetiporous sulphureous; its agent for inflammation and existential pain qualified by overconsumed bullets of acetaminophen—Nano moss perseveres under bombardments of cosmic rays, not like so many helmeted astronauts, reared in substrate biocrust with smartskin greenhouses, where low-level sulfur distributed to further backscatter corroded the orbiter’s embodied metal consciousness of Thales, Aristotle, and Athena further melting

Under the shield’s vacuum lock—An oceanic iron seeding project carried out under the symbol of the Leviathan Cross portrayed beyond its diabolical image as dual platforms buoyed by the infinite; the sterile deep shortly melting

With lush beds of plankton viewed by the Mauritian descendants of l'ange de l'assassinat (1847), after Jean-Paul Toulet’s Sur l’océan couleur de fer, from the serial quatrains collected, Les Contrerimes (1916)—Reading patterned

Red and green water; lacking bioluminescence due to its high ferric content, might at some phase approximate a marine environment—Before they attain a mythic status; for inducement, and to decant the inhabitants of the many Arks—Pierre Belon dissected for L'histoire naturel des éstranges poissons (1551) and De Aquatilibus (1553), with no less than 38 pages of the former 55 page digitized manuscript containing le dauphin, and without apprehending their quadruped equivalents—That Altair had once meant a sensor for gas calibration, after a low sensitivity probe of the Pioneer 10 (1972), with a plaque of the solar system scaled one-tenth of Mercury’s orbit, headed for the Bull’s Eye, and before the lost uplink (2003) at Jupiter’s aurorae subscribed to the core’s hyperfine structure, slanted by Lagrangian observers behind—Flickering at the same time Earth and Clavius injection-mold lamps, particularly on the moon base named for Christopher Clavius; arising out of the seven hills of Bamberg for Rome at seventeen, who escorted

The West into the civil calendar (1582 C.E.), with his predecessor, Lilio enumerated in the pre-implementation from 15 October 1582 accompanied by a shift to decimal-point significance—Visited in the last year of his life (1611) by the dedicator of the Medician stars (12 March 1610 C.E.) verifying what the Frisian, Johannes Goldschmidt, Fabricius, had seen of sunspots, dubiously, from a tent (1610)—Fabre d’Églantine, originator of the Republican calendar, was the son of a draper endowed with the sweet briar for his Petrarchan mode (1771 C.E.) ennobling the wait and humiliating deferral at a theater for the Gay Science, Jeux floraux, among the subjective assessments beaten by computing the Sun’s

Longitude at the time given, as in the eclipse of 21 August 1560 Clavius countersigned in Coimbra one-year prior, 1559—The lunisolar, no less partial than the four-year extant agricultural timetable opening on 24 October 1793 C.E auguring a complete discontinuity from its namesakes, who like dog roses germinate and become pulverized, with rationale supplied by the royal surgeon, Antoine Louis (1793 C.E.), as the poet himself faced the same semilunar apparatus bucketing shepherdesses for graft (4 April 1795 C.E.)—Cross-fertilizations of the hoist and ratcheted wagon spring (1854) lift passengers of the Equitable Life Assurance (1870) elevator
In Second Empire style, as the 124-storied Burj Khalifa; the latter, extorting fees for its usage toward the top of their glass apartments; abridged insolation by silvered inner panes, Solar Silver 20—Recall now, the external faces and ascents of White Buildings (1926), as double as the hands from Recitative—

Or The Wine Menagerie, resounds 23 Vendémiaire CCXXIII—Whose skin, facsimile of time, unskeins / Octagon, sapphire transepts round the eyes (15-16)—Recitative,

From the plans of the Dulwich Picture Gallery and adjoining mausoleum, a molded postcard Le Nourrir de Jupiter (1636) for the voracious sixth son of Time that finds you returned, and fully-clothed in your own bed—Poussin made more luminous by the master he had seen in Rome (1624), after Titian’s liberal use of azurite and ultramarine for the Duke of Ferrara’s Alabaster Room; assumed following Raphael’s death (6 April 1520), and much crazed twice from rolling, Bacchus and Ariadne (1523)—Melting

Excess blue and ultraviolet at the macula; an astronomer had minted the Oculus (1619), as the retina the projecting surface for the parallel drawings of the pantograph (1603)—Fifteen years, the Jesuit from Augsburg, Christopher Scheiner had spent cataloging sunspots to produce Rosa Ursina sive Sol (1630); and to which is distinctly due, the foldaway gates of early elevators—

These erupting singes; taken apart from the photosphere, surpass the Moon in brightness, to seemingly withdraw fifteen years later, at Maunder Minimum (1645-1715)—The blind-windows and top-lit gallery lack the patterned

Shadows of the Mediterranean under perpetual cloud cover, as Soane had drawn on paper two caskets allied with three octagons so far away from A Dance to the Music of Time (1634-1636)—Escorted

To Hertford House, or the faction waiting outside its hidden canvases and arms to be disbanded for medical supplies—Palsied, Poussin places swans in the faraway glass lake of the first of his four seasons, at the birth of Bacchus, and a Summa dormant in a serpent of the last scene, Flood, or Winter (1664), and taking off for the passage of La Carte de Tendre (1654); felt but liable to inclination—Bathypelagic decapods, whose shells are spun chitin and chitosan solar cells, the seventh century’s Sun

Guoting’s fragmentary Treatise on Calligraphy marks the unprompted hanging needle and dewdrop—A plate from Aurora Consurgens’s red king and white queen combining elixirs; once formed into the Sun and Moon overseen by a convoluted Mercurial judge, precipitate in an Erlenmeyer with the accompanied recitative since Cerenkov ionization above Chernobyl (26 April 1986)—

Between two worlds, the receiving civilization between Lyra and Cygnus with a star older and more erratic  than our own, is for the generations escorted at their particular lightspeed, though stay at the mineral wealth of vacant asteroids, such as the one Hermann Goldschmidt saw from his balcony, 21 Lutetia (15 November 1852), to gather in ten years no more than the 50 tons of uranium instantly vaporized, or the melting smartskin torrents—

Side by side, in patterned elevators with our own undisclosed dark matters oscillating among flavors, four protons fuse to become one helium nucleus, two of them have to convert into masses slightly larger, after Darkness and Light (1933-9), join together to curve a path of stone (6)—