XIV. Le ruban magnetique de machine à écrire

XIV. Le ruban magnetique de machine à écrire

The orbital siphon was an extension of the space-elevator concept that derived from the elevator’s peculiar mechanics. Beyond the point of geosynchronous orbit, centripetal forces tended to throw masses away from the Earth. The trick with the siphon was to harness this tendency, to allow payloads to escape but in the process to draw more masses up from the Earth’s surface.
–Arthur C. Clarke and Stephen Baxter’s Firstborn (2008)

The pastoral landscape par excellence. According to one school, it's where the pastoral genre that you speak of begins, those irrepressible yearnings by people beyond simplicity to be taken off to the perfectly safe, charmingly simple and satisfying environment that is desire's homeland. How moving and pathetic these pastorals that cannot admit contradiction or conflict! —Philip Roth's The Counterlife (1987)

Completing the eighth square at the opposite end of sometime’s heedless ticking into the two-degree Celsius mark (2016)—Her hands smoothing the polytetrafluoroethylene (PTFE)

Skin of a pout of the magazine of the Sackler Gallery (2013) inset on a floating embankment—Inertial control developed from the oscillating Millennium Bridge from a terminal view of the domed square crossing of St. Paul's—

Post-Sunstorm facsimile of former polymer microprinted intaglio banknotes, the Andromeda galaxy makes its slow crashing with fast radio bursts (FSB) into a single ovoid before the wake of the eddies to Mir, a toy boat

Disappears for Lady Orlando under The Serpentine of Hyde Park (1928)—Entrance to which at Stanhope Gate entails a subtle diode’s skimmed indent tattoo, implicating the crystalline cage of folded spacetime of the Eye, where retinal 800 nm and longer-wavelength sensitive indocyanine green (ICG) is processed both as antioxidant and bile; overseeing the sunken division of Charles Bridgeman’s ha-ha of Kensington Gardens and Round Pond (1728)—After fjords into which deep sea Cnidaria poured, the March Atmosphere at Jølstravatnet of Nikolai Astrup

Who died at Førde (21 January 1928)—Shown in Painting Norway near the former Alleyn's College of God's Gift endowed by the performer’s stakes in brothels and bear baits, and the first public gallery built with Italian cinerary urns and then badly bombed sarcophagi (12 June 1944), put in the ground for the Sunstorm (9 June 2037), where others took refuge under the quadrangle founded after the George II Gold Medal competition (1776), trailed by other suspended gardens (1996, 2018), of John Soane’s paternal stock bricks for the Dulwich Picture Gallery (5 February – 5 May 2016)—In part owing to Caroline of Brandenburg-Ansbach, from the Eisenach of Bach (1685), whose consolation is beyond reflecting on the high malar bones of primates with their matching fibrotic pits—When Georg Augustus stayed awake with her and to their thereto seven unborn issue (1707), alongside Marlborough crossing the Scheldt (1708), then acting as his regent at the Treaty of Seville (1729)—At the end of a complicated puerperium and volvulus (1 December 1737), surrounded by ladies-in-waiting mistresses, a dropping oak panel for the communicating strongbox within the enlarged vault Chapel of Henry VII; remote from her beloved Herrenhausen, the couple is at last to meet again in twenty-three

Years—Caroline reads, A bracelet of bright hair about the bone (1633, 172-), familiar to the ruin and rising damp of her frame and its wound margins, and as if reaching beneath a van de Velde corsair on the sea’s smoothed table linen, the interference fit out of which the researcher culls the future gene of the glucocorticoid receptor affecting bone density traces to single-base resolution maps of the twenty-three
Pairs of chromosomes—Substituting Teflon, PTFE
Of spacecraft assemblies and expansion joints, into the human skeleton unseated in low gravity, a biocomposite beginning from the meniscus for periosteal engraftment; barring foreign body reaction (FBR) on the tibial plateau, for the consolation
Of walking at 48-times of Earth’s aphelion on Pluto, and internal work supplanted by protective planetary protection (PPP), a now sentient gravitational suit—One-day, bulk-accelerated objects between capacitor and inductor elements of the Mach effect drive contemporary remarks on the peristyled tholos into Bramante’s Tempietto di San Pietro (1502-8), which becomes the plate in Palladio’s third book (1570) for the projections of St. Paul’s
Not without Wren first receiving the Gresham Professor of Astronomy (1657) and commission of the Greenwich Royal Observatory underwritten by the Admiralty run aground on the Isles of Scilly (1707)—The fatal swerve to at last take the Channel impatient and uninformed of the 13 degrees per day, or roughly one lunar diameter per hour, for sighting the Moon—Where First Astronomer Royal Flamsteed (1675), deviated from a vicarage in Derby, used this staid disposition for computing the parallax motion of Mars, and potentially any planetary body, through the six-hour path sighting two of three stars (6 October 1672)—A reversible quantum engine powers the voyager's boat;
Hull and gunnels more or less having retained their shape with iron plates exchanged for low thermal expansion ceramic tiles—Regard the tropospheric boundary stirred from sublimated methane that hides another planted Q-bomb in the Pluto-Charon binary, with its satellites entangled in a dark verve that sets each to their unwinding orbits—The Drinker and Shaw patented (1928) iron lungs of Copenhagen left Poul Astrup,

Siggaard-Andersen to ascertain dissolved carbon dioxide compensated in blood pH (1958), with expansions on the PCO2 electrode contouring our modern homeostatic systems—Not quite absolved from the arbiter of Earth days; for the Constable of Norway, Astrup,

Was it despair imparting a weightier line for the dissolved moonlight into the lake—From Astruptnet’s earthen roof, the window's apple tree in returning bloom—May Moon (Winter Night), an undated, hand-colored woodcut forms the powder coating of sleep, as tumbled Luna 23

Into the Sea of Crises (6-9 November 1974)—A digital canvas, for comprehending the chalk line of the body in Martian phosphate liable for self-folding RNA the geological record maintains rained on early Earth in meteorites—Between the temple's neurohypophyseal nanopeptide oxytocin, which exerts its direct skeletal stockpiling as a continuous action, attachment as anabolite, on the grown infant watching within each separate sternum’s simulated foil—Bones to philosophy, but milke to faith (IV.29), beyond vacuity and stable Lagrange points, the keelboat’s

Invulnerability overseeing the terrestrial subsurface intakes of seawater borne to the Moon's stations filtering with a hydrophobic PTFE

Membrane—Spindly figures, by the on-board physiologist’s reckoning; further sapped of phosphate by fibroblast growth factor 23 (FGF23) leaving quiescent pearls in a hyaline bone matrix—How might the myeloma protein (1964), immunoglobulin D, conserved in jawed vertebrates except birds, the consolation

When the tagged B-cell leaves the marrow for a lymph node, and the reactivated fever switch mediated by basophils becomes restive in an antiseptic environment—Refunding the moments over the stressed concrete construction of St. Paul’s

The bone cement’s recipe, varied with spherules of glass, melted out of the crust lowers the specific gravity for floating Chiron transiting Pisces (May 2010 - March 2019)—Cassini observes the division between Saturn’s rings as Charles II approves the groundwork of St. Paul’s (1675)—

From the college of Michel de Nôtredame, Montpellier (1525), William Ramesey (1652) pens Astrologia Restaurata (1653)—Flamsteed consulted for laying the Observatory foundation stone (10 August 1675); by the Sun, significator of the King, whose molten core gravitates the density of argon retaining the hydrosphere, as Louise de Kérouaille's son, the fourth Charles, raised the day before, the Duke of Richmond—Ladon, constellation Draco, entwined around the tree of the Hesperides; awaking rude health’s Aegle that sheltered the Argonauts, the Duchess of Portsmouth had seen in Louis XIV’s botanical entry, of Salix, to transpire in the vernal quarter of Nikolai Astrup’s

Willow Goblin—Helena Blavatsky’s remarks on sunspots, Nasymth’s Solar willow-leaves, or, an account of the great Spot (July 1860), the vital electricity that feeds the whole system (1888), senses the improbability of the original solar nebula’s Newtonian falling away—Vera Rubin and Kent Ford’s spectra of the green valley of Andromeda (M31) had shown the velocity of stars (1967, 1970), as Fritz Zwicky observed in the Coma cluster (1933), remained approximately constant along the spiral arms, regardless of distance from the galactic center; drawn together in opacities unrewarding in a language of light—Such is the Continuity of Operations, Altarpiece, No. 1, Group X, Altarpieces (1907), after the discontinuity’s consolation,

Not to be displayed until two decades after her death (1944)—Hilma af Klint captured coronal loops as auroras, disks of photocatalysis by Spirulina platensis in the pie plate stations of Mars, and for the Firstborn’s intended heat sterilization of Earth, the technological antagonists, as Saturn bow shock, when the rings appeared to Huygens in Systema Saturnium (1659) edge-on, and fade (1848), from the Merz 15-inch twenty-three

Foot equatorial reestablished after the pulse on the instruments (2037)—Just before the Jovian’s crashing into the Sun (2042), the blue field of the Swedish 1-m Solar Telescope (SST), whose vacuum lens was likewise cooled by as its subject’s helium core, exhibited the sway, June 1971 B-side, Jaufré Rudel’s amour lointain of a boat,

From the run up by the mega-tsunami landslide of Cumbre Vieja that never materialized—Maria dreams of swimming from one jetty to another one, with her husband in a vessel suggesting she get in, to row to Judea extended to the Menorah Islands misleading to Teucer’s martyrs to Jove on Cyprus best explained behind the shield of his brother; arrowshot warped to his will, and addressed as nothos (8.284), by the dry Menelaus clutching not even the spirit proper of Helen—Until reaching the lowest point before the gag reflex triggered by the perfluorooctanoic acid (PFOA) in somewhere’s sleeve of microwave popcorn compounded in pavilions of PTFE

Coated fiberglass membrane shared with her fiction the late twentieth century Calatrava Wave Auditorio de Tenerife (2003) assured in PTFE

Sourcing the distillation disks of this decade’s water column to the lunar alephtron—Provoking the Purgatory fires of HOME, Shipton-under-Wychwood’s Zen garden (1971), and its violated quaternity, the feminine, instead by milk, or albedo, from which the anthroposophical dentist insets the second dentition—Indigenous carbon from 1666 fire saving the almond of a shroud, St. Paul’s

Dean, who hunched, wasting for Nicholas Stone’s effigy installed eighteen months after its subject’s death (31 March 1631); swaddled as an infant, the writer of the Elegies (1609) from Two purses, and their mouths aversely laid (XIX.91-2)—Hertfordshire (1971), and execration of the Mod garniture and cats, a white lacquered sacral dimple to glans upon entering the set, with blank solitaries twisted for a close-up corruption of the 14th Secessionist exhibition (1902)—Armed with the bust of the composer of anthems, Beethoven, whose Ninth Symphony (1828) settled the 74-minute dimension of compact discs—Despite a cabinet of the Great Books for these preoccupations, there is no less here a caricature required by the lead sphinx in the Tribuna of Chiswick Manor (1726-29)—Marie's sobriety making her more free to write Guigemar, a white stag’s shaft rebutted in the vitals (1180), who lies splayed in a boat,

Of Diospyros, the ebony of stringed fingerboards, admitting the exchange of lais and sacral knots—No matter, a magnetic trap flexed, initiating Eggeling’s Diagonal Symphony (1924) in the Martian winter's methane sinks in the olivine, where rare-earth optical fibers linked splash cups of marsh marigold were reducing rusty flocs of once Ares Vallis and Isidis Planitia proposed from Nikolai Astrup’s

Jolster (1915)—Owing to the excesses of the company of Händel and Canaletto, the Palladian William Kent’s design for the state barge scalloped and delphinated by John Richards is now dry docked in Greenwich—For Frederick, Prince of Wales (1732), a consolation

From mother Caroline, who threatened to annul his union to Augusta, with her dolls, governess, and disinclination to English, and treated to same courtesy at her absconded lying-in from the royal family, the matriarch decrying his impotence—Chinese-outfitted oarsmen last conveyed Prince Albert to the opening of the Coal Exchange (1849)—Back to the health farm, the intruder’s Punchinello guise is red-nosed before the anticipated splatter of blunt trauma, and he was probably gulled by the investigators deceptions to clean up the streets; the explicit scene, after other importune moments of addressing the ceiling; between a gilt sceptered wallcovering under ruddy Hod carpeting and billiard green Netzach overhead forming the two halves of a single body—Marie, going against her sex as prey, at the prop of Iyengar backbend in the construction of the body, made tolerant for open heart surgery with acupuncture, or with an electuary of sugar and Artemisia vulgaris chosen from Frederick’s hedgerows at Kew Gardens, or perhaps for moxibustion at the Bladder meridian—Nathan Zuckerman’s Bildungsroman begins, as Donne’s Newbattle portrait with his fedora tilted at a raffish angle (1595), at twenty-three (1979)—

A morning walk, from the Chiswick barre studio to the boathouse, at the risk of relapsing at the singularity of Mars mislaid from the conjunction viewed from recent evening in Beta Scorpii, Graffias, pleads from the last of twenty-three

Meditations (December 1623) to remain silent—We were drawn to the silver screens, not for any particular apocalypse, but for the Seedbox theatres, which in another life, signals a data repository for future manipulation of the human drama; though, still paintings, replete with cyclamens, at the deer’s crossing, Harford (1999), and foregrounded against the wine’s seeming brand (1971)—PTFE

Eluting structures stagger the ride to the Serpentine Sackler (2016), of canvases looping into stargates, by notation of the baryonic angular momentum of the disk galaxies onto Hilma af Klint’s Swan series; one into cubes, met as if in a time capsule's materiality, refracting consolations—

The rogue with his name incised in the glass of Anne More’s windowpane (1602), who could never imagine preaching (1621), among the congregated Beloved, to tell the laity of our love (lines 7-8) under the triple-shelled masonry of St. Paul’s—

Margaret Cavendish, born the year of the publication of Buonarroti’s Rime (1623), sestina, like an empty ship turning in the wind (LXX.6), the consistency of photovoltaic rectilinear threads that caught the sunlight could only envision, as an ark, archiving tool and hortus conclusus, fons signatus (4:12) assemblage set for The Blazing World (1666) by the Boat

Still passing on, was forced into another World—Foxgloves, the stature of birches (1909), and only found by Nikolai Astrup

Beyond the implacable Fell (1906) casting, for the exception of Midsummer, in its perpetual shadow’s color of the Seventh Ray—Astrup viewed the floating world to play among Violet’s cuttings from Knole, the Crab Nebula (M1) of Taurus broadens to the slightest degree with synchrotron radiation as this Bakhtinian chronotope; its reputation first made on the makeup of that adept of Montpellier, Rabelais (1530-38), to ten light-years formerly assayed in generations, Chinese astronomers observed in the daylight for twenty-three days (1054)—

Boat of the twenty-three foot James Caird rounding Cape Horn to South Georgia (1916), arrayed in microporous PFTE strata of Gore-Tex, as Verlaine, sailing with the chastisement of Atys (1869)—

Time the Falcifer, with its artifact of an Eye interceptions and Love, the invisible wound performed on harp and rote at one time devastated by the bronze Two Forms (Divided Circle) (1969) cut off from Dulwich Park (2011), then all at once girding the cordon of DNA modeling self-healing nanoparticles, where we, as Donne and Astrup would find consolation in St. Paul’s Cathedral restored to pre-fire, tumble composed within corona radiata bound for The Dove - NO. 12 (1915)—