Tuesday, February 26, 2008

The Book's Passionate Bearer: A Page from Jorie Graham's The Errancy

The Errancy
by Jorie Graham

Then the cicadas again like kindling that won’t take.
The struck match of some utopia we no longer remember
the terms of—
the rules. What was it was going to be abolished, what
restored? Behind them the foghorn in the harbor,
the hoarse announcements of unhurried arrivals,
the spidery virgin-shrieks of gulls, a sideways sound, a slippery utterly ash-free
delinquency
and then the subaqueous pasturings inexhaustible
phosphorous handwritings the frothings of their own excitements now
erase, depth wrestling with the current-corridors of depth ...
But here, up on the hill, in town,
the clusterings of dwellings in balconied crystal-formation,
the cadaverous swallowings of the dream of reason gone,
hot fingerprints where thoughts laid out these streets, these braceletings
of park and government—a hospital—a dirt-bike run—
here, we stand in our hysteria with our hands in our pockets,
quiet, at the end of day, looking out, theories stationary,
while the freight, the crazy wick, once more slides down—
marionette-like its being lowered in—
marionette-strung our outwaiting its bloody translation ...
Utopia: remember the sensation of direction we loved,
how it tunneled forwardly for us,
and us so feudal in its wake—
speckling of diamond-dust as I think of it now,
that being carried forward by the notion of human
perfectibility—like a pasture imposed
on the rising vibrancy of endless diamond-dust ...
And how we would comply, some day. How we were built to fit and comply—
as handwriting fits to the form of its passion,
no, to the form of its passionate bearer’s fingerprintable i.d.,
or, no, to the handkerchief she brings now to her haunted face,
lifting the sunglasses to wipe away
the theory—or is it the tears?—the freight now all
in her right hand, in the oceanic place we’d pull up
through her wrist—we’d siphon right up—
marionette with her leavening of mother-of-pearl—
how she wants to be legible, how the light streaking her shades now grows vermilion,
which she would capture of course, because that, she has heard,
from the rumorous diamond-dust, is what is required,
as also her spirit—now that it has been swallowed
like a lustrous hailstone by her unquenchable body—suggests—the zero
at the heart of the christened bonfire—oh little grimace, kiss, solo
at the heart—growing refined, tiny missionary, in your brightskirted host,
scorched comprehension—because that is what’s required,
her putting down now the sunset onto that page,
as an expression of her deepest undertowing sentiment,
which spidery gestures, tongued-over the molecular whiteness,
squared out and stretched and made to resemble emptiness,
will take down the smoldering in the terms of her passion
—sunglasses on the table, telephone ringing—
and be carried across the tongue-tied ocean,
through dusk, right through it, over prisons, over tiny clapboard houses
to which the bartender returns, exhausted, after work,
over flare-ups of civil strife, skeletons rotting in the arms of
skeletons, the foliage all round them gleaming,
the green belly-up god we thought we’d seen the last of,
shuddering his sleep off, first fruit hanging ripe—oh bright red zero—
right there within reach, that he too may be nourished,
you know this of course, what has awakened which we thought we’d extinguished,
us still standing here sword in hand, hand extended,
frail, over the limpid surface of the lake-like page,
the sleep-like page, now folded and gently driven into
its envelope, for the tiny journey, over offices, over sacrifices,
to its particular address, at the heart of the metropolis,
where someone else is waiting, hailstone at the core,
and the heat is too great, friend, the passion in its envelope,
doors slamming, traffic backing-up, the populace not really
abandoned, not really, just very tired on its long red errancy
down the freeways in the dusklight
towards the little town on the hill—the crystal-formation?—
how long ago was it we said that? do you remember?—
and now that you’ve remembered—and the distance we’ve
traveled—and where we were, then—and
how little we’ve found—aren’t we tired? aren’t we
going to close the elaborate folder
which holds the papers in their cocoon of possibility,
the folder so pretty with its massive rose-blooms,
oh perpetual bloom, dread fatigue, and drowsiness like leavening I
feel—

15 comments:

Σφιγξ said...

No, I once kept a collage book when it was essential in grade school to demonstrate that the assignment was understood and noted in it. Instead of writing down something I could remember, I would cut up all of the National Geographics in my attic. Along with a book of film stills from the worst, most violent movie I knew then, Fellini's Satyricon, I tried to cut the shapes of flowers or corals or vibrant topographies into statue heads of Constantine or the zodiac feast of Trilmachio. Erte's zodiac stage sets helped me with the latter. My aunt, who is an artist in Bloomington, took it show her students.

I would like to do another one, but I do not have the time right now.

Σφιγξ said...

http://www.erte.com/zodiac.html

I like this poem, as you have surmised that it is like an overstuffed dossier of a wandering lover, the knight errant.

Σφιγξ said...

Topically speaking, National Geographic has an add-in: "rotting skeletons / in the arms of rotting skeletons"

http://news.nationalgeographic.com/news/2007/02/070213-bones-photo.html

Σφιγξ said...

I am not slavish to her methods, but I recognized that her poems contain a breadth of (discursive) thinking I admire.

Σφιγξ said...

The next card is the (hemi)wheel of Paolo Uccello with Marcel Schwob's thoughts, but I am definitely inquiring into Romain de Tirtoff after that.

Σφιγξ said...

https://www.asba-art.org/article/chapter-4-renaissance

Σφιγξ said...

I am thinking about doing another collage book.

Σφιγξ said...

https://m.soundcloud.com/japanesebreakfast/orlando-in-love

Σφιγξ said...

Last night, I had a dream that it was a lush spring, and you were levitating? or standing is more apt, on a coffee table as it moved on wheels. The dream logic was that someone would stick their head on the table, look up, which is obscene.

Someone told me that I should try, and that you came around for that provocation. I finally crested, a hill, and you were standing there.

Three things:

Fondly, I remember March through the end of May in school, and how the protracted days lended itself to late night writing. I would take a walk after dinner, and then work late into the night, to get up early without much difficulty. I would then take a nap from 1 to 4 pm.

I resubscribed to Poetry Magazine. That part of my brain is dozing for the expediency of work.

I recalled this poem, about the absurdity of recalling the naming of the parts of a Lee-Enfield bolt-action rifle against tanks and machine gun nests. For the enlisted who had never held a gun before, the rote memorization about the maintenance of the weapon may be life saving...

https://www.poetrybyheart.org.uk/poems/naming-of-parts

https://www.youtube.com/watch?v=xOFoM0lNiX8

Σφιγξ said...

After I went to work yesterday, after I started that conflict about living in peace, I had a minor tantrum, a marked conversation in an amplified tone about the assignment in the morning huddle. It surprised me, and left the room speechless. "Now, if I assigned this to you, with three admissions, you would turn me in to the management, behind my back? Right"

To save face, I almost put in my resume that day for the resource pool, which is eight dollars over my hourly rate reaching sixty dollars an hour, with no charge, precepting or any administrative duties; just the worst assignment, and then done. I would get Saturdays off, but my friends would be hurt that I left under those terms. It feels dead-end and frustrating, and I overeat at night to almost collapse into bed. By the way, I only received one admission (which is truthfully, immaterial to me, but the cheek and the snickering about sticking it to me, upset me), and he was a veteran with atrial fibrillation provoked by MDMA use, which has amphetamine metabolites, at fifty-seven years old.

Σφιγξ said...

Escapism into Mid-Century modern with shades of robin's egg blue and etched starbursts:

https://www.youtube.com/watch?v=gBHZVrK8qPE

Qof (100). Nous étions souvent distraits par des sursauts et des étoiles gravées dans la glace.

Σφιγξ said...

"While there have been some inconsistencies among these studies (e.g., a lack of seasonal variation in serotonin transporters has been reported),20,21 they collectively suggest that normal adults tend to exhibit elevated serotonin levels in the late summer and fall, and reduced serotonin levels in the spring—likely in relationship to available sunlight. Given these normal variations, it may be that individuals who are susceptible to seasonal effects are especially sensitive to these changes [...]"

https://pmc.ncbi.nlm.nih.gov/articles/PMC3779905/

The glow of sodium vapor lamps [...]


Blotter is someone stomping on the ice. A reprise.

https://www.singulart.com/blog/en/2024/02/11/blotter-by-peter-doig/?srsltid=AfmBOop2gcorphaXjRUTfsfO-IfPXUhNb-9QM925wP4pDOiO0MO2K0Je

https://youtu.be/6fZ_rgU5_RE?si=E7hGvqBESwXY5TJM

Σφιγξ said...

*the protracted days lent themselves*

Σφιγξ said...

It makes me think of Michael Haneke's Funny Games (1997), with the overkill extended to the aquarium. I did not feel good viewing that.

Haneke's Amour (2012) prefaced my own experience with my maternal grandmother, who had a stroke at my grandfather's one-hundredth birthday party. Her hand became clenched and her mouth frozen into a rictus, after my mother screaming and punching her in the chest, "You can't ruin his birthday. It's not about you." We took care of her many years thereafter, many days and nights visiting the care home, as you remember.

It turns out, the thump is just as effective as epinephrine in some cases for restarting the rhythm.

https://www.youtube.com/watch?v=e2T0O-EAz8s

https://www.youtube.com/watch?v=ckJzOPDWyBI&t=75s

https://www.youtube.com/watch?v=FIhrBhy2ALc

The haunted house is the childhood trauma I could not talk about, and being forty years old, I should be getting over it with the elapsed time. I remember when my mother went to work at night, that he would rail, scream for hours as a prosecutor in order to bring up things from years ago, and damage things saying it was better than my face. The frozen posture I remember afterwards; too, about having to be so stoic to go outside the house or drive to school with him or wherever.

That book, Wherever You Go, There You Are (1994) is well taken. The remnant of our family does not discuss these things because they are too painful, and they should not be remembered.

Whatever the calculations of Hashem there are, that I should live through this; and deny my paternity so completely, regardless of whatever a millimeter of saliva confesses on a displaced processor, that is the reason.

Being a completely different person is a way to cope with it, and we (the fragmented self) gradually become that person. I have a lot of repentance to go, and that is the terrifying thought, of taking it so lightly, and dragging it out, that the opportunity afforded easily drains down to nothing.

Σφιγξ said...

For educational purposes only. Rabbi Yisroel Pesach Feinhandler's Beloved Companions: Insights on Domestic Tranquility From the Weekly Parsha (1994):

Vayakhel I

"Only when we realize how great is our responsibility, can we do justice to our marriage. We are building generations. When a marriage is stable and loving, our children felel the holiness, and they pass it on to their children. It is an inheritance of love and understanding, a bond that we hand over to the next generation when we have peace in our marriage. If there is no harmony, this is also communicated to the next generation, and it can be a tragedy that will be felt by our children and even, G-d forbid, for generations to come.

Similarly, just as when someone desecrates part of Shabbos but has no right to desecrate the remainder of Shabbos, so too if so far we have not succeeded in having peace and holiness in our marriage, we must not continue that way. Every moment of marriage is precious and we can always begin rebuilding it on stronger foundations. If we have not done so in the past, we can and must start right now (264-265)."