I. Voyant d’èxces

I. Voyant d’èxces

Perpetual corner-turning based on what variant of production

We propose—NLR gene family, pyrin domain containing 3, l’aveu

Of one inflammasome determined by the long arm of a spiraliste—

Apical shoot of the first chromosome—Between saffron and nettles,
A mitos of wine presses and mills at Knossos—Tanizaki’s quicksand—
Paradiso’s knotted cordon of Venus, Foulquet of Marseilles, Bishop of Toulouse—

Versus a homogeneity brought by phones—The then archdiocese of Toulouse—
Extract from building details of Grandselve, where Foulquet is interred, the production
Model of the Cistercians; their field-work, compromises made to suit the quicksand
Of escalating immune response—In Praise of Shadows, trans. 1977, combs l’aveu
For abstracted, winter moods—Cistercian grisaille glass apprehended in spiraliste
Mode as a Japanese virtue—Every worm his taste, some prefer to eat nettles—

Frankétienne’s cutaways of nautiluses—Their helical orbits abjure stinging nettles—
Caressed trichomes inhibit prostaglandins; crushed hairs lie down—Blue pastel of Toulouse,
Or; if you will, battle wode, smothers Cathar tombs filled by a votary troubadour—Spiralistes,
For whom such things are sustained—Converted dyestuff for Occitan revival until production

Tapers for Carolina indigo—The other side of a grille, where nettles inject their sap, a quicksand
Of envy stirred in Baudelaire’s jointed doll—Our weeping principal is led from l’aveu

           

From a caged pet that drinks and dies from saffron murals of the drawing room, l’aveu

Of crypt proprietors blackened definitively at Knossos (1350 BCE), and fretful of nettles
Underwritten by magicians—An enzymatic complex wrought by cytokines, a bilious quicksand
Of cholesterol ensnaring the motive threads of a membrane—Pilgrimage trails of Toulouse
Derive precepts from inflammasome activation; if for the process of breaching throne rooms—Spiralistes,

Reborn witnesses—One finds a belaying line of Medea of Colchis, in origins of production

Of Colchicum autumnale, both saffron, and its secondary metabolite, colchicine—Production

By means beyond informational custodians—Tanizaki, roused by a sub-ocean quake, pens l’aveu
Of two women, the implicated husband, in a lilting idiom among women—The spiraliste,

Sonoko, retells their shared deceit under Kannon bodhisattva—We feel for her absence of nettles,

Up to the unpoisoned sleeping draft— She is set up in a celestial mandorla, and the gaining quicksand
Amplified by troubadours amass Church lands—In Some Prefer Nettles (1929), caprices the Bishop of Toulouse

Abandons for the Virgin, the Albigensian Crusade, take their cue from doll theater—Toulouse’s
Once non-standard dialect abides none of Frankétienne’s hurricanes, whose Fleurs d'insomnie (1986) is production
Of mute testimony by fervent lovers and austere scholars—Lévi-Strauss bounded from quicksand
His former child in a diorama of a Japanese genre scene outfitted by a Parisian shop—Every l’aveu

Depends on this image of anodyne sparseness—Cretan bureaucratic or theocratic spirals,
Including the Saffron Gatherers, are execrated by the Gilliérons, and wreathed in nettles—

A first insult dissimulates blood-forming tissue into a nettlesome assailant—How does the Sénéschal of Toulouse’s

Boxwood labyrinth trace its route from the Minoan composite—A bull from the sea’s quicksand, l’aveu  

For us could be a Manji, as it produces the spindle or spirale of rowers on a fated passage—