IX. Sans du tout se soucier [de notre présence]

IX. Sans du tout se soucier [de notre présence]

Formerly, the tape’s undoing, indices of poetry are taunting the purple mamba catty-corner our curved

Glass, where rays gather in daybreak’s ammonia haze—Gathering the mode, l’ameublement

Burnt to matchsticks, with heartwood cored in molten aluminum frames to refract

The vermicular word digi-shot through tablets—William Cowper’s touch’d with awe/ the solemn chords (1785)—

A sofa, not for social calls; scoring flesh, wood, with the fumes of a pale green moon drawing the reef

From its rusting surfers; what with singing sculpture and trade journals, cracking blank

Verse—Kirlian camera projections, Solfeggio frequencies, the flirting cartridge opposing blank

Self-similar pages—Aristotypes of Mandelbrot assembled in the Cassini fly-bys of idle methane lakes (2013); now colonized, within the curve

Of F and G of Saturn’s rings—Repository Mind communicates the four bonding molecular orbitals were liquefied for propellant, so development accelerated; mineral wealth fortifying the reef

Of Vermilion Sands, on the mainland, les pieds dans les nuages—Our ritual lives, l’ameublement

Offset by white leather flooring straightforwardly crazed by common diamond-studded footwear, to traverse the silts; everywhere, an outstanding 23 pages of Wave IX refracted—

Alcestis enters, the threatening exogamous wife who senses she must die for it—Striking a sympathetic chord,

For us, as Keats (1818) for Cortázar (1962)—Immortal tear-drops down the thunderer’s beard (Endymion.II.476) cordoned

For us, in the limit, the liminal, where koi swirl which have no use for eyes, where spirits speak from kohl-eyed pendentives—Sun-blank

Rubble, as the Shaftesbury Theatre in crackling purple lights for Eddie Izzard (1996), when tubes were exposed to mourning dove nests; shorted by offal—Refracting

The sky which splits into a thousand smothered glitterings, how could we confide in anything less than Alcestis’s Necessity, signified by the curve

Of your arms—Anxious for return on the black highway of interplanetary conveyances, with the awareness of Pluto’s hastening reef

Of spindrift from the Kuiper Belt—It was already a feat of astroengineering to shore up the sky, fix the air ratio, to carry on Erik Satie’s musique d’ameublement (1920)

Below erbium pink glass épergnes of James Cook’s Black Apples, Chocolate Persimmon, Ice Cream Bean fit to grace l'ameublement
De bouche Antoine Baudeau sieur de Somaize (1660) scribed, to be received in a bed's antechamber—Unbroken chords;
Ripened symphonies, of strange trees fertilized with their late wardens’s ash, from seeds smuggled from the bank under their tongues—Acquired by magazine, Barrier Reef
Specimens netted and scythed for tanks, where just a few scanty years of coal transport stained the Tethys sea wine-black–Trawlers spotlighting point blank
Flying fish twelve degrees of nautical twilight—Studio 5 refugees witness an unspeakable voltage the black glass refracts—
Shuns that Society unquietly and staggering to the walkup; mistaking submissions to the Verse-Transcriber publications as curved

Moments along Tristram Shandy’s life lines (Vol. 5, 1762)—Transgressions in the mail were; unequivocally, teachings; not pleas for acceptance—Before flight, one held the curving
Remnant of a comet, Kowal's Object (1977)—Formed from a kick in its side, or Chiron 2060; the year, a decade from our time—The session’s ameublement
Motionless, except for a flinching trunk from the stimulated side, of a stewed upset refracted
By Anne-Marie Albiach’s careful duplicity / the fall of a body lacking / amendment of types—An unarppegiated chord;
Recovered, « une duplicité attentive / la chute d’un corps fait défaut / altération des genres » (2004, 2006)—Reefed
Abnormalities of a diseased microvasculature, of the pellucid skin a hand falls upon—Blankly,

Alcestis never thought to pair herself, conjugation was enough—Until; conceivably to our death, the transporter’s blank
Door unbolted—I thought I was overlooking the natal map of Chiron’s conferred 7th house, the Other, with the Node; Cassini cut his teeth on such calculations—And there was Titan, or Saturn VI, where the incurved
South polar vortex performed a crescent within its crescent—Fastened within the reef
Of a viewing module, as a sculptured Apollo looking down from a cedared ceiling of the Archiginnasio, the reversing mind’s amueblement—
Cassini’s San Petronio (1655), which tracked the solar meridian; having risked excommunication for the expense of slashing the roof and altar floor—After the Inundation; refracted
Sun that speeded colonies such as Vermilion Sands, the dream of savoring mortared fat and myrtle berries, fare of centurions, taken in with a viewing of the Belt of Venus, disbanded with Earth—We hear the nightly chord

Of ariste nine times; the play (438 B.C.E) from Euripides unfolding on the hypnomimetic friezes—Retracing chordate biology, the uneven blank
Donato Creti recognized of the lunar surface, of Cassini’s observations (1690), for eight small canvases, and amueblement of the Bologna Observatory (1711)—On a reef of Saturn’s
To initiate with the life/death bow—Muriel Ruykeyer’s conclusion (1968), our night awake refracted, staring at the broad rough jewel of glass-tiled roof, in the curve of your back thinking of the poets yet unborn in this dark—