VII. Vivre au-delà du cercle

VII. Vivre au-delà du cercle

Rational curves on a three-fold mirror; manufactured to follow a hyphenated
Nation’s already under mobilization—Five days shadowing declaration of war
On a third, German frontier (1 August 1914); while entrenched sleepers resolve, the issue's
Untreated crosshairs—Already elongated; trunks, as they shorten
Favored tusks enshrouded in the first eruption of an Arthur, or Oswald, on St. George’s Day, after Purcell (1691)—
In a diegetic, 20-second blood circuit bandwidth of trouser seams; roots, of the engaged hand absorbed; again, the up bow's notation (V)—

An abandoned steam room of The Peculiar—Reclining on benches, blind hands seizing every fifth notch, double-cut (V)
Atomic grain of which Lord Rutherford puckered in gold foil (1908, 1913)—Leo Szilárd, of Pest, or furnace, taking the Széchenyi Chain Bridge, as a long hyphenated
Reaction as naturally as his footfall touches off a Southampton Row semaphore (1933)—Catching Purcell’s
Cold Genius, the March constellation of Teumessian fox down, hissing from a pre-war
Phonograph radiated by our pilfered clothes—A Kodak Brownie camera, without film, a Browning revolver, and a papier-mâché globe issued
With the wrong boundaries from Buftea (7 May 1918)— Nailhung fountains, of Calligrammes (1918) of our waking foreshortened

In the revolving café doors, where a young man finds a sapphire boule, as from a tie pin—Shortening
From Viennese Crescents marks the glass; his present dream efforts, Gabor’s sources of coherent lights in holograms (1947), the V

Consistencies of electron surfaces—The sight; through an untreated fence’s knot hole of a maiden aunt’s issue
Of linens, hers and theirs, with such tenderness, and lacking recompense, captured while smuggling the silver set, with hyphenated
Urgency and reluctance, from under an invalid’s bed; his mother was in hospital, and they had the chance—Henry Purcell,
A choirboy of great forwardness, who retreats to the adjoining yard to bury his wet pants—Since the toils and hazards of war

At an end (1690)—Engaging Thomas Betterton as librettist, beyond the splendid carvings in lime wood unblackened by errant smoke—Billeting in warfare

Chrysotile, and sunbathing in lead munition dust; the sons, having dispensed mutilation, were gaping into Henri Michaux’s A Barbarian in Asia, the shortening
Parasols of the scorpion-fish (1933), in the wake of a pontoon bridge—Unnamed, Henry Purcell’s
Ground bass lamento for Dido (1688), which means so much to us; overlooked waterworks of the signal flag Vs—

Upsilon, Y, on which it is modeled, according to Constantine’s advisor, Lactantius (c. 240 – c. 320), where the way divides itself into two parts as the sources that bore them, our hopeful issue—

Béla disregarded his grocer father’s larder to make himself understood; for a woman again to surplus—We are Love’s censoring hyphenation

Of Duke Bluebeard’s Castle Béla Bartók débuted May 1918 in Budapest, to provoke the remains; the cobbler’s son’s, whose death is hyphenation
Affording alternate knowledge of the one-act opera by the Sunday Circle’s Béla Balázs—Fleeing the failed government of Béla Kun (1919), from the pre-war
Quota in the free professions (1938)—Émigré József Galamb’s Observation, Learning, issues Experience, of hand-building the Model T engine (1908), and shortening
Duration on the road—When a son makes his mind; dressed as an assassin, and aggrieved of the Baroque expressions of Henry Purcell
Death abridged at 36 (1695); therein, lies the fission—Of superadded aces of hearts, of a mother’s tears, to witness searching under the mattress—The U or V

Of virulence—This empty space in the vase permits its use (Lao Tzu), and is in our book inscribed forever; the Vs
Intersecting into a decussated cross (X), which is more practical for its use—Kyrenia, whose staked spring, where his ship grounded, renders ever more hyphenated
Justification—Of a subtle pushover, from a brutish father conferring nothing at all, and paying the school fees for it—Leonardo, who, at thirty (1482), had drafted arguably the first curriculum vitae for the Duke of Milan—Whose viola organista Henry Purcell,
Had he known, may have supplemented with his Eastern pentatonics—Scaling the wall of pre-war
Paternal biographies, she sat ruminating how Vita (Life!) and Violet fled to France (1918); subsequently, issued
Challenge (1923)—Now, 36, childless, she thought to join in their complicity; shortening

Orlando (1928), in a setting as uxorious as Arden—Not like the ancestral pile Vita had written off to the National Trust (1947)—Arbitrary vs. motivated; here, I am shortening the blue sapphire’s just detected loss—
Resonating as the paragon of both sexes, where one notices the affianced named after her study’s Tyrconnell (c. 1762), a single malt; and compliments of masques, Purcell’s choral odes, transubstantiating these lives, through warring centuries, we become her, ourselves—

Begetting a state about it; there is the Sun’s instinctive capacity to issue us, hyphenated forms, from blind alleys of susceptibility, with the ring by the young man we ought to meet, who hands it back—