I. Embuer l’enveloppe [apporter la pierre à l'édifice]

I. Embuer l’enveloppe [apporter la pierre à l'édifice]

Concerning pages of a circumplanetary-disk discovery (Zhu 2015) and the crest of becoming vertebrate (Bronner 2015)—

Involuntary attention paid to the wake of the Venice of Portugal’s Aveiro lagoon trailing behind Edith and Little Bear’s oars

Culminating before one 248-year orbit of Pluto, where an opposition becomes seated on the ecliptic (2018)—Since their launch, and the approach of New Horizons in (14 July 2015) above Sagittarius, or the near the handlebar of the teapot

Asterism, Delle Caustische, M24 (20 June 1764)—Little Bear thought of the blusher notes of Lynne Ramsay’s camerawork, with nothing quilted to conceal a Wilcox silver-plate fashioned by Paul Lobel (c.1925) into a space dome, which the designer from Baku had so insulated, keeping the infusion molten metal in every cup—Date palm jaggery

Coats the spoon instead of cubed sugar; though, they regularly eschewed both for waning sensitivity of beta islets—In their view, as Edith frequently quailed of screening phenomena in condiments, a butterfly had flown, or flapped, lacking the forewings to glide, and a relative, to boot, of the Parnassians of Lausanne—

With the host plant nowhere in prospect; nevertheless, a Southern festoon, or La Proserpine, Zerynthia rumina, resolved there on a patch of salt-tolerant evergreen called candytuft around rings of dried paint box microalgae as well rinsing salterns of  the flamingoes’ Celestún and the Veneti’s Guérande, the latter whose church of Saint-Aubin’s encloses Roman pillars reproduced by Eugène-Emmanuel Viollet-le-Duc (1814-1879)—

The sixth key of kin and Cain found in Pieter de Hooch conversation pieces; searching the Met’s Eve (1663-5) and in-flight Jupiter with Ganymede in Lisbon (1663-5), as if they are one-in-the-same steered by a decametric radio wave, then the barking at the unnamed visitor, not perceived in the building itself, by the camera lucida engaged by Viollet-le-Duc—
The Enterer lingers on the link between the first woman and a fish seen by the embedded eyes in the mantles of the giant clams raked through mucous nets and coral carbonate in the South China Sea following their procurement, and the projection’s exploded corbeling—Variations of 37 vertebrae, with the most frequently encountered at sacralization, after Bourgery and Jacob’s Traité complet de l’anatomie de l’homme (1832-1854), the hemal arch enlarges the five to six to seven sacrum and coccyx of the human vertebrate—
Little Bear departs the office of the spinous processes to Helmar Lerski’s faces and the banality of sun damage—Karel Teige’s communal living arrangements and sleeper cells of The Minimum Dwelling (1928-32), and the couch jerrybuilt by a nude after Milca Mayerova’s removes of the alphabet, a typographical ballet bound by Nezval and Teige into Abeceda (1926)—Teige declaims the concretion of power; anticipating the democracy of networks, in Otlet’s Universal Decimal System index cards (1910) intended for Le Corbusier’s unbuilt ziggurat, the Mundaneum (1929) at Geneva-Lausanne—
After Desnos’s L’ours (1944), the blue country of thunderstorms swerves to bisque; as Torricelli thought the wind, wool, and packing the end of his mercury tube (1644)—Allowing the Venetian fórcole directing the oars,
The most recently visited on the Cassini Solstice mission driven by ion engines and bullous fuel depots (19 December 2015), inferences from each brush of its 27 experiments on board; now, the geysered tiger-stripes of the sixth-largest moon, whose nearest-whole albedo that once was the snowball Earth, appends a global ocean, Herschel (28 August 1789) first noted north of the teapot
Lid, or Archer’s bow-star, or Bayer’s Lambda Sagittarii (Kaus Borealis)—When a new planet swims into his ken (line 9); an infinitude since Uranus was discovered (13 March 1781), in a sonnet Keats composed one morning in October 1816, without venturing down from Mount Amiata to Sicily, whose volcanic loams yield an acidic backbone to the vines, despite much mention of viticulture, slaked there—1789, year of the construction of the present terminus of the Carioca aqueduct, where the protagonist from Preciodade in wintry June (1984) orders a café without centrifugation, with jaggery,

Rapadura, in Brasil, after taking in Mestre Valentim’s plans from the Santa Teresa bonde toward the Passeio Público; indistinguishable from other formal gardens, but for the autochthonous witnesses, two crossed caimans, recreated in bronzed stand-ins for some expergefacient hurt in their regard—Jaggery

With specks of wood ash, as the weather begins to wear in the pored pyramids (1806) framing the common’s Fonte dos Jacarés and Fonte Do Menino—Fonte das Saracuras with turtles estimated from a wakeful hiatus—At Napoléon’s invitation (1801), the speculation that Herschel strolled before the aureate Bassin de l’Encélade Gaspar Marsy had cast in lead, with a scream of a dissevered aorta of a central fountain, left to seize the remnants of Mongibello’s lesser spouts (1676)—A descending load of La Bayette, the enlarged nave’s débords; after adherents of the décadaire made a bonfire from the rood, which had been spared for its clock, for Viollet-le-Duc’s

Western portal through Genesis and Apocalypse (1865); the brothers Lumières captured in starch-colored Autochrome, la cathédrale des charbonniers, Notre-Dame de l’Assomption—East of Taurus to Orion, the Full Moon until 2037, when they will still be riding bearish sentiments for the gallery quality refractory porcelain, for its potential blanks—In the Mind tempted into silence from the fluted architectons of a teapot (1923)—

What once had begun as a stage curtain—The word fishes for something that is not a word (1962)—Four versions of Black Square (1915-1930), for a headstone (15 May 1935), disturbed by two cups, together, which comprise the plenilunia out of which the stretched line of a factual septum, above which surfaces a sturgeon, from Malevich’s An Englishman in Moscow (1914)—Reading aloud, E.H. Gombrich’s A Little History of the World (1935), of the “B” unchanged since Phoenician times opposes the weight of the fluid; retaining force arrows of the displacement method gauging the gold crown’s carats, of a skeleton in the Natural History Museum in Vienna, of the Diplodocus, and longest vertebrate—

Plus 80 caudal plates, Efraim Racker likewise had stood, under their chevrons like skis—Down the cantilevered tail, suprasonic thrashings of air are worked into pockets of plasma, and toward future laser-seeded Q-carbon, whose film on the aircraft nozzle disperses shockwaves—Moving megapixel displays, yet more needful of their woodless Grafstone notching the same plights, if far from the cave—Then to the subject of Lausanne’s

Mucosal vaccine and adjuvant conference (2016), such is uniting Sabin’s attenuated oral vaccine (1954) coverage that thins with the membranes, and Salk’s inactivated injection (1955) requiring a baggage train of sterile-gloved provisions, both against the shedding of viral envelopes—Racker in Minnesota (1942) saw the labyrinth of systemic circulation stir, but respire in vain, and given these observations of poliomyelitis in mice, later established by the removal of mitochondria, particularly termination of the rotary die of ATPase (Complex V) reactivated, when recombined with the missing factor from the supernatant (1960)—As it was today, the Moon-Saturn opposition in transiting 10th and 4th demesnes, amor desmesurado, adrift in a wilderness of lakes and frozen lean-tos as if it were apprehended at Saint-Beuve’s Romantic Kamchatka (1862), Terre des Ours (2014)—

Coaching concessions, the stone bolster where one dreamt fits under a seat of Coronation, and there, the order to become suddenly more larval, and seven years further behind (1984)—With the oars

Raised up the Douro from Porto to Gaia, of an etched vessel, with squatting room of an upturned umbrella—Paula Rego’s Steering the Boat (2009) conforms to the catch, drive, and recovery of rowing, seeping prana, the remedy of which is shaved ginger in jaggery—

Cascais, Eduardo de Moura Souto’s Casa das Histórias (2009), is tinted the sindoor of the parting of the brow of the river—Marriage, with a leveling or lofty brace of pyramidia consigned without topstones, after the Giza Pyramid, or, Porto’s earthenware tiles popularized by the Romans at another Celtic settlement, the improbable l'Art Brut haven, Lausanne—

Discovery of God, Ithuriel’s spears, Triteleia laxa, are the trililies for your blue eyes bordering the impressions of Louise Bourgeois’s Lacs de montagne State V of XIII (1996), after Gautier’s forging the Sun at the bottom of his temple (1840); sited never far from the body, in pedicels projected into the urinary space over  minute pulsations of the glomerular filtration rate toward oscillations and contraction of labor followed by retrenchment in the house of the double helix, lumaca doppia, that became a staircase for François I (1518-1547)—Da Vinci had left in his plans to make the airscrew stationary, and the towers of the keep superimposed on the spread-eagled  L'Uomo Vitruviano (1490)—Viollet-le-Duc,
Sketching, overlaid the transept arms with this quadrature of man, the ascending four evangelists and a gallery of chimeras beneath the restored flèche of Notre-Dame de Paris (1860); a contemporary sharing his melancholy for a tyrannized mother, in the Naples of the Bourbon Kingdom of the Two Sicilies, Luigi Settembrini is writing his Ricordanze (1839, 1851-1879) aspersed with incarceration and a complete translation of Lucian—Having founded a codex of watercolors of the Alps and Pyrenees reconquered by geology, the architect’s crystal system of 1/40 000 of Mont Blanc (1876) no less, had he lived, the draftsman of his understanding would have drawn the constellation of Sagittarius, the spout of teapot,

At which the Twins, the horn of Taurus, Elnath, enjoins the ring of Auriga at the Galactic anti-center

This longitude of the Milky Way with the Sun on the origin, from the Premier Entretien (1863), all of primitive man’s capacities at first deployed in habitation, with a lion on his door, until awakened to the seven serpents tracing upward through the 33 vertebrae—

From Agnès Varda’s Le lion volatil (2003), Clarisse speaks La Force (XI), as if she is being read to, unconscious of the steam from the confiture of the copper cooked to a blood consistency—Out of Baudelaire’s flaçon through which all matter is porous (1857, 1861, 1868), and a score below which the aorta enters the abdomen, the descending rami of birth pains, at the eleventh anticlinal vertebra—

In 1890, Fritz Steiff’s Filz-Spielwaren-Fabrik pushes the ambitions of felt; as the combined volumes of Poems is brought out, covered in a gilded white, darkening to red, mycorrhizal Indian pipe, whose each of ten anthers open via two curving slits—The volume on Life assumes the arbitrary Latinate order preceding red and black at war; delivered as a formula for twinning cinnabar, from elemental mercury and sulfur, IV. ROUGE GAGNE; stunning before, II. Our share of night to bear—Together, to lie on the oars

Of what Robert Hooke termed watered, or maccerell sky (1663)—The childhood room is pictured through the film of Guerlain’s midnight blue Baccarat quartz crystal (1925), from the same span the Bonnards married, whose screen assembled from three gouaches, L'enfant au pâté de sable (1894) progressed to its permanent residence with mimosa cascades, Le Cannet—The binocular asterism of July, the teapot

Of Sagittarius encloses the Swan nebula (M17) sought by Philippe Loys de Chéseaux from Lausanne (1745), and then the July Revolution coinciding with the publication of Le Rouge et le Noir, further pained by the miserly cooper of Eugénie Grandet (1830), where Balzac makes much of the fruit, when dried and the seed unattached resembling a wheel; a quince, reaped from the veritable face of Mars, by Cydon, the son of Hermes and daughter of Minos, the father who sentenced fourteen to the labyrinth by the full moon equinox, and then the engine of prosperity likewise forgets Charles and his alternate approach along the Grand Trunk Road’s acres transformed into jaggery—

Warm woods and hand-painted bricks of Roland’s Roquetaillade finished (1870) on the tail of Histoire d’une Maison (1873), of a schoolboy and his architect cousin that may have inspired Eugène Green’s La Sapienza (2014)—To Stresa, where John Ruskin, after the first of five volumes of Modern Painters (2 September 1876), crossed the Simplon Pass clasping Le Massif du Mont Blanc six decades after Byron and the Shelleys arrived at Lausanne (May 1816),

After transported ash of Mount Tambora obscured the Summer Triangle—The architect’s wife is for Aliénor of Aquitaine, who launched the Second Crusade from the Basilica of La Madeleine at Vézelay, where Viollet-le-Duc

Presented Judith in a capital a decade into his restorations (1850)—Who observed the Winter Hexagon just before Women’s Day, where a youth is mown down on a freeway outside of Bucharest, the worst day in both mothers’s lives, bent in Child's Pose (2013)—Followed by a homecoming to Rome and Borromini’s hexagonal space of Chiesa di Sant'Ivo alla Sapienza (1642-1660), with the six eggs in a pyramid of the dome, and a equilateral triangle praised by Viollet-le-Duc

In the floor plan's Solomonic star, to be experienced at dawn, when the perforated lantern lights the oculus—Before the Catacombs, the Métro sign of Denfert-Rochereau is styled by his disciple, Hector Guimard (1905)—Harry Colebourn emigrates from Birmingham to Canada, to return August 1914 as a Lieutenant in the Army Veterinary Corps with Winnie, his she-bear, to tend the nine thousand horses of Valcartier—Where it is not a question of  preference; whether a daughter or son, a potential offering of agricultural yield or gore, the rider rates the heart girth of a horse’s protruding withers; the most communicating vertebrate,

By the symphysis joint—Lead as we are by this sense, as patrolling for the Home Guard, Alan Milne is lead to the friendly bear of the London Zoo, and when he recalls Pooh the swan; the character is beseeched to be reinvented from Edward, for the stories from his own son’s familiars (1926)—Some picture postcards undoubtedly passed through Hôtel des Postes, Lausanne,

Their plush cynosures exhibited as Partners (2004), for just such was the magnitude of these sitters (1900-1940), Ydessa, les ours

Et etc—How can the two construe a small photographic index; daring to implicate the Universe, for a woman equal in weight, Atalanta, now prunes her orchard before the fine automated spray of the sprinklers coming on at dark—Mercurius, or Narasimha, the lion whelp of Judah posited by the Physiologus who has awakened him? (49:9), in whose sentient contours is drawn the utility of the Big Dipper, or the Teapot—

From the Latona fountain, lined with hydraulic limes from the Architectural Novelette (1879), the vision for her successors to sit for exams in subfusc and heap praise on Atalanta (HWV 35) (1736) before the fireworks, in a licenza for distinguished members of the audience—Jaggery

From the oldest germinating date palm retrieved from a squirrel’s hoard in the Kolyma permafrost, where Viollet-le-Duc is mentioned in The Palm at the End of the Mind (1971), to sightsee and stay on the issue of palm and cane jaggery; the latter exempt from tax—

Emblematic functions of the dolphin; we will stand on its template in-land from an uncommon and early lake of Lausanne returning to the sea-strained teapot some backward vertebrates with arrows of digits turned to ours—