"Reconstruction of a Love Letter Lacking Sufficient Postage"

"Insert this into the Google genie, and you will find the source..."

"...worth its price in varicolored, regional-varieties of salts."

"...piecing together your readout of lost ions..."

"...the deft use of a knife cannot be successfully performed by sufferers of excessively sweaty hands..."

"...now defunct literary magazines like Antaeus and Ironwood."

"...wonders, 'how many people die from commotio cordis?'"

"Rabbits ovulate in response to copulation rather than following an estrus cycle..."

"...and a heart like an artichoke, scattering leaves right and left."

"...or a cobalt house like Edward Hopper would have painted."

Pendulum Painting

J muses: I can only balance myself...toujours à la limite.

J has reached the conclusion that she is ready for the devil to take her from behind.

J or her vanity, rather, might have toppled into a trap set by those who unwittingly received her GRE scores.

August: J will take her Praxis tests for teaching licensure, and then she will apply for open Biology and English teaching positions at Patrick Henry High School for Fall 2008...only then will she give notice.

J will pursue an accelerated program for licensure from Radford, as she continues to take classes.

The moment she leaves the hospital, J loses the propinquity of S--the opportunity and the inclination were two coinciding variables unique to the circumstances J is compelled to leave.

A Diet of Wood...The Shao Yang Horse

I am sometimes amused by elemental associations and so I had to post how my latest reading took a supermarket shape...Wood is constantly breaking patterns of old growth.

Quelle heure est-il?

The Guardian Angel Of The Private Life

All this was written on the next day's list.

On which the busyness unfurled its cursive roots,

pale but effective,

and the long stem of the necessary, the sum of events,

built-up its tiniest cathedral...(Or is it the sum of what takes place? )

If I lean down, to whisper, to them,

down into their gravitational field, there where they head busily on

into the woods, laying the gifts out one by one, onto the path,

hoping to be on the air,

hoping to please the children --

(and some gifts overwrapped and some not wrapped at all) -- if

I stir the wintered ground-leaves

up from the paths, nimbly, into a sheet of sun,

into an escape-route-width of sun, mildly gelatinous where wet, though mostly

crisp,fluffing them up a bit, and up, as if to choke the singularity of sun

with this jubilation of manyness, all through and round these passers-by --

just leaves, nothing that can vaporize into a thought,

no, a burning bush's worth of spidery, up-ratcheting, tender-cling leaves,

oh if -- the list gripped hard by the left hand of one,

the busyness buried so deep into the puffed-up greenish mind of one,

the hurried mind hovering over its rankings,

the heart -- there at the core of the drafting leaves -- wet and warm at the

zero ofthe bright mock-stairwaying-up of the posthumous leaves -- the heart,

formulating its alleyways of discovery,

fussing about the integrity of the whole,

the heart trying to make time and place seem small,

sliding its slim tears into the deep wallet of each new event

on the list

then checking it off -- oh the satisfaction -- each check a small kiss,

an echo of the previous one, off off it goes the dry high-ceilinged

obligation,

checked-off by the fingertips, by the small gust called done that swipes

the unfinishable's gold hem aside, revealing

what might have been, peeling away what should . . .

There are flowerpots at their feet.

There is fortune-telling in the air they breathe.

It filters-in with its flashlight-beam, its holy-water-tinted air,

down into the open eyes, the lampblack open mouth.

Oh listen to these words I'm spitting out for you.

My distance from you makes them louder.

Are we all waiting for the phone to ring?

Who should it be? What fountain is expected to

thrash forth mysteries of morning joy? What quail-like giant tail of

promises, pleiades, psalters, plane-trees,

what parapets petalling-forth the invisible

into the world of things,

turning the list into its spatial-form at last,

into its archival many-headed, many-legged colony . . .

Oh look at you.What is it you hold back? What piece of time is it the list

won't cover? You down there, in the theater of

operations -- you, throat of the world -- so diacritical --

(are we all waiting for the phone to ring?) --

(what will you say? are you home? are you expected soon?) --

oh wanderer back from break, all your attention focused

-- as if the thinking were an oar, this ship the last of some

original fleet, the captains gone but some of us

who saw the plan drawn-out

still here -- who saw the thinking clot-up in the bodies of the greater men,

who saw them sit in silence while the voices in the other room

lit-up with passion, itchings, dreams of landings,

while the solitary ones,

heads in their hands, so still,

the idea barely forming

at the base of that stillness,

the idea like a homesickness starting just to fold and pleat and knot-itself

out of the manyness -- the plan -- before it's thought,

before it's a done deal or the name-you're-known-by --

the men of x, the outcomes of y -- before --

the mind still gripped hard by the hands

that would hold the skull even stiller if they could,

that nothing distract, that nothing but the possible be let to filter

through,

the possible and then the finely filamented hope, the filigree,

without the distractions of wonder --

oh tiny golden spore just filtering-in to touch the good idea,

which taking-form begins to twist,

coursing for bottom-footing, palpating for edge-hold, limit,

now finally about to

rise, about to go into the other room -- and yet

not having done so yet, not yet -- the

intake -- before the credo, before the plan --

right at the homesickness -- before this list you hold

in your exhausted hand. Oh put it down.

--Jorie Graham

La Chambre Renversée (Clip)

The Wanting Place

Blue Note

Polly Jean...Grow, Grow, Grow

PJ Harvey, complete with an autoharp, a lilting apathy and a barn owl prop, is
keeping my ears on this album of last autumn. The irony is--my recurrent decision of what to dismiss, thereby allowing the thought to grow in wild profusion, and what to deracinate.