Monday, November 16, 2009

Postmodern Ruins : Igor Mitoraj's Eros Bendato et alia, Patrick Blanc's les murs végétaux




15 comments:

Σφιγξ said...

The entrance to the British Museum features Luci di Nara, Hollow Face by Mitoraj.

http://www.caffeeuropa.it/immagini/44immagini-Mitorajtesto.html

Σφιγξ said...

¡Oh Forma sacratísima, vértice de las flores,
donde todos los ángulos toman sus luces fijas,
donde número y boca construyen un presente
cuerpo de luz humana con músculos de harina!

http://www.poetasandaluces.com/poema.asp?idPoema=2072

Σφιγξ said...

http://books.google.com/books?id=yOuCwLxWOGUC&lpg=PA168&dq=shin%20300%20five%20letters&pg=PA168#v=onepage&q=shin%20300%20five%20letters&f=false

Σφιγξ said...

http://books.google.com/books?id=1YIAAwAAQBAJ&lpg=PA119&dq=Val%C3%A9ry%20Le%20Sylphe&pg=PA119#v=onepage&q=Val%C3%A9ry%20Le%20Sylphe&f=false

Le Sylphe

Ni vu ni connu
Je suis le parfum
Vivant et défunt
Dans le vent venu!

Ni vu ni connu,
Hasard ou génie?
A peine venu
La tâche est finie!

Ni lu ni compris?
Aux meilleurs esprits
Que d'erreurs promises!

Ni vu ni connu,
Le temps d'un sein nu
Entre deux chemises!

Σφιγξ said...

The Taurus growth path is finding stability in the natural world, and admiring its persistence.

http://momaps1.org/exhibitions/view/373

https://www.youtube.com/watch?v=X7rENYcxrgk

Σφιγξ said...

http://books.google.com/books?id=Aq-Yg6B51NsC&pg=PA101&dq=eros+bound&hl=en&sa=X&ei=955aVJC8CKOrjALb4oDABQ&ved=0CD8Q6AEwBw

Σφιγξ said...

http://www.20minutes.fr/culture/1475251-20141105-video-prix-goncourt-lydie-salvayre-laureate-roman-pleurer

Σφιγξ said...

I read James Merrill's The Yellow Pages (1974) because it was nice receiving such a limited edition Temple Bar copy entrusted with biographical clippings from the Rhode Island bookshop, Cellar Stories. Here, this was meant for you.

www.cellarstories.com

Is the Aeon like the Alpenglow from the emergence of winter? A sun dog?

https://31.media.tumblr.com/4d27de22b09570557ebccd9560425c80/tumblr_inline_mk0kx9PRn21qz4rgp.jpg

"Rough Scheme for an Aeon in the Alps" page 17

One day in autumn an old god sees red,
Screams, drop lie something mowed.
Coming to himself in a brown pool of blood,

He blinks round the wrecked room.
There is so much that he will never fathom
Still pounding in his system.

His emotions are those of the shepherd gaping
At huge, half human tracks, a trail smoking
Upward, most of his flock missing.

He has no choice now, he must think
Winter. In a trice the mercury has sunk
Like a numb slug into its bubblebank,

And at the lake's heart the immense
Valves clash shut. Silence.
He nods through white crocheted curtains—

Obedient, the Jungfrau knits her brows.
The shape that stalked him, in her vise,
Cannot so much as push up edelweiss.

Queer valley mists, though, have begun to weave
Up past him, forming a ceiling. If
Messages reach him, who is he to give

An answer, a coherent one? His head
Fills with the creak of a bed
Where someone lies unsleeping, exhausted.

The room just seems to be illumined.
Knowledge of life ebbs from the god's mind.
Creation mourns a friend.

Above the clouds, meanwhile, the mountain's
Whole being confronts the heavens.
She strains, in air that burns and thins,

To keep cool, hide the hard core of her shame,
That body huge and haired, and for all time.
Sweating a steep, clear stream,

She musters atmospheres against the fact—
Pleat-shaded-pink now, amorous, abject,
Now gemmed and ruthless. It is quite an act,

And it concludes with avalanches! ...
Much later, when things could focus, they hung on the eyelashes
Of the unearthed. A strange equal to the fantasies

Employed to flee it. These it effortlessly
Called back into its corpse. The sun drew near. The valley
Turned green out of pure susceptibility.

The lake shook on the brink of grave disclosure.
When grunts and tinklings filled the ether
Then it was the old god's eyes ran over.

He sniffed. Who willed this warmth?
No answer. I am not a god of wrath—
I shall be able to endure the truth!

In its own time came a stench of corruption
In some high place, potent as saffron.
Hallooings from the deranged mountain

Heralded discovery of the beast.
The next day young and old could taste
Their ancestor. It was already harvest.

The god, extinguished at his window,
Gazed into bonfires far below
And manikins black against the glow.

His face worked. He wanted to know why
They did not come after him with cutlery
Instead of feasting on his effigy.

(1957)

*A sun god's miraculous advent in a backward canton?


"Autumn Elegy" page 41

Sumac, your running wild
In bad seasonal verse
Depresses me no longer. Spelt anew
In the mind's mirror, child,
Your dark dry blood reverts
To that of the young demi-god Camus.

(1960)

Σφιγξ said...

"Oracle" page 31

Suddenly as of today
The weeping beech in the next garden
Is making large doomed signals.
After an August spent on the lawn's edge,
Look at it now! The tree is in a trance!
And high time. Just this once
It may have something really important to say.
Or is that fair?
One or two simple characteristics,
Such as a weakness for somber ornament
Combined with that congential slight deformity
That crooks us earthward into the gloom we shed—
Mightn't those, if heeded,
Have utter truths the flailing
Limbs never will, an all but weightless
Claw of bamboo haunts, an early
Figment of blue smoke crazes?
I should like to put a hand out saying Hush!
Be still. It doesn't matter.
Too late. The sky is hoarse with birds.
The leaves have started up their stylized wailing.
The shutters beat themselves against the wall.
Already leaves of three colors are racing ahead of me
(Why am I always the last to know?)
As I step from the house into my element,
The old progress resumed
Complete with mourners and outriders
Through a kingdom vast and cold;
Freely resumed, for in this middle season
What is driven where it means to go?

(1960)

"Hour Glass" page 46

Dear at death's door when you stand
I will run to let you in.
You may know me by my grin
And the joints of this right hand.

You will follow unafraid
As one seldom does in life.
I will say to Pluto's wife,
"Please your Majesty, this shade

Is my friend's who kept your Spring,
Show me how to wear your green.
Twenty winters intervene
Yet I glow remembering."

She will then unlock a chest,
Shake our senses out like robes
Fine and warm to naked ribs,
Make a signed when we are dressed

For one hour in which we fill
With ten thousand joys and pains.
Then, reversed, the burning grains
Back through her transparent will

Drain, and the robes are blown apart,
Two more bat shapes in the cave,
Little dreaming now they have
Blessed each other heart to heart.

(1968)

Σφιγξ said...

Exercise 91.

Thank you for reminding me of the above. It means a lot to me.

Σφιγξ said...

https://www.architecturaldigest.com/story/secret-gardens-in-paris-that-everyone-must-visit

Σφιγξ said...

Exercise 91.

Σφιγξ said...

https://books.google.com/books?id=6d2TAAAAQBAJ&pg=PA46&dq=ketoret+eleven&hl=en&newbks=1&newbks_redir=0&source=gb_mobile_search&sa=X&ved=2ahUKEwjD9q-i2JaKAxWxGlkFHdITISoQ6AF6BAgIEAM#v=onepage&q=ketoret%20eleven&f=false

Σφιγξ said...

https://www.thejc.com/judaism/jewish-words/beshert-rd256uv1#:~:text=Beshert%20means%20%22inevitable%22%20or%20%22,you%20were%20just%20thinking%20about.

Σφιγξ said...

https://www.torah-box.net/jewish-ethics-and-learning/character-traits/7-ways-of-fighting-our-yetzer-hara_1738.html