XXI. Dans le monde

XXI. Dans le monde

Until seeming to remember, the warmth I would not have guessed—

Distance formula of embossed backsplash, ceiling tiles, or subtropical roof gathering
Poinciana—High tin bronze alloy of Maria Martin’s Macumba, which embodied
For Breton, the strange dendritic markings of the native metal—Stannous
Fluoride on your breath, we resume a catalog absent of half-cries to the past,
Or, when a bar of tin is bent—A paratactic tin belt of the Central Andes is submitted—

Before getting back to the second and third positions of the codon, submitted
To terminate a protein—When tempted with a choice of endings, heated tin wires to guess

A deadly, yet invisible, chiaroscuro of nerve gas; for this recurring stereotype of madness,  past
Sensor research offers a setup—In the metallic sea of dissociable electrons, gathering
Combustible gases drop the resistance, and sound the alarm—Alternately, stannous

Chloride reduces divalent iron; precluding that sludge of limestone crude—Disembodied

From a bore widened by acid—Dietary iron, after passing the acid sump, embodies
That petrochemical contrivance in reverse—Ferric iron falls oxidation states; submitted
For intestinal enterocyte absorption in the ferrous, bivalent form—Stannous
Fluoride’s other contributing quality to this spiral of association—Here is more to guess

Than by sight alone—The way a tin dentifrice inhibits microbial metabolism gathering

In your beautiful mouth at recitation—At the conclusion of sacred or profane, past

And recent banquets—Why invoke metal applications, their travels gauged by past

Positions on energy tightropes? Moldable, they achieve their combined ends; many embody
Electricity, thermoception well—It would be like subscribing to that quaint gathering
Of precepts, the hierarchy of senses, to fawn on the bluntness of a rod, or thyrse—Submitted

As the fennel bulb naturalized along a roadside—Euripides meant, to many, it is blind guess,

Put my thyrsus in their hands, to emphasize the whirling outgrowths of sensation—Stannous

Cries of threads of tin, where their integrity was never questioned—Flamed stannous
Oxide’s touch stands under the skin of glass—A translucent red colorant of tins past—

Baudelaire’s mention of Liszt—His lighting rod performances, later work as a conductor—To guess

He envied the ladies’ man would be incorrect—The Bacchic calyces, in cadenza, embodied,

Improvised, and were strained through the audience—A regulating thyrsus or baton submitted

A dance to trample the assembled rose flowers into the mud—Bronze, gunmetal, pewter gathering

Alloys of tin; non-canonical base pairs—A laser lens interprets an astigmatic surface—Gathering
Examples and occurrences of imposed narrative gossamer, carrot and stick dualities—Stannous                                     

Chloride plates a steel can by electrolysis—Tin ore, of the first speculated Cassiterides submitted

Its exclusion from a map, to protect the sources—The destabilizing fact migrated again, past
Tin-pot dictators of mines and smelters—A circuit nets a few dead leaves of tin; consumption embodied

By another age as marzipan statues—Understood through imitation, a ten year anniversary guesses

It is enough—Crumbly tin impresses stronger metal; My guess is, gathering tin for explication,
Submitting from a past of domestic instruments, the pitched tins—There is a well-worked credenza

To go back to, after the bench experiments, stannous cries, and shifting ideas embodied in text.