Fittingly, epithelials are made pluripotent, for regeneration of pancreatic islets at risk from acute ingestion of spirits—
Of compensation—War at Cotonou (1889), end-to-end with Porto-Novo, exported also the kora, vodun and quilts appliquéd from the kingdom of Dahomey (1600-1900)—Later, given French defenses,
Green fluorescent well plates—Bruno Abakanowicz, working from Parc St. Maur, set about calculating all spaces textured
By their roulette curves; composing the tools sometime before 1900, the year of Sarah Bernhardt’s fatal duel with Laertes on film—As the solution to waning defense
Contracts, it was later patented by Kingfisher’s lubricants of Leeds (1965), from Meccano pieces (1901), and cross-sections of their standard and metric threads—Somehow, faced with the damage of pancreatic endocrine
System, after scrambling to reinsert islets into the omentum—The apron’s glistening CD8+ (cytotoxic) effector-memory T cells form a halo from Moreau’s L'Apparition (1876), with Cellini’s bluster of Perseus (1545), into a coruscating spirit—
Hamlet provoking the maternal as if increase of appetite had grown (I.ii.145)—The chambers of Langerhans
Engorged, and reticulum crooked as though moonlight had accomplished the work of leavening yeast, as the path meanders through the entire vineyard, or in the cask of La Samaritaine, with Sarah Bernhardt in the leading rôle (1897)—Le Marais
Théâtre de la Renaissance under her direction (1893), and the eponymous one, on 2 Place du Châtelet (1899); Alfons Mucha delivered the broadsheets—Proprietors of Le Marais
Caves; intimately acquainted with labile bacteria with alcoholic fermentation, unaware that yeast spontaneously repairs its most terrible prions, without human contrivance, or quarantine of the cinders of the stockyards—What texture
Of fear figures polarized light filtering through the blinds of Matisse’s philodendron leaves one uninterrupted midafternoon—Alternately, Langerhans,
Hoping for a cure, ventured to Silvaplana (1874) seven years before Nietzsche—Pasteur’s tartrate fermentations, which precipitated out of solution in the frigid lab (1856), led to the defense
Of enatiomeric stereoselectivity, two types of wine lees recognized by the less equipped as drowned keys spiraling the Deûle—Inconsolable, for the death of his eldest son, the poet Louis Racine; himself, born the year (1692) his father’s heart reentered the home, felt a breach in his inviolable temperament from avoiding drink or banquets; at last, subordinated to the endocrine
Signaling the wrong things—On honeymoon, his only son and wife were buried at Cadiz under the tsunami from the Lisbon earthquake (1755)—On the same street; not yet rechristened after the architect of Napoléon’s tomb at Les Invalides (1840), no. 17 Balzac failed at a printing business (1826-1828), incurring debts, with the urge to write to Mme. Hanska of finding the spirit
Of Swedenborg (1834); ketogenic, and dependent on coffee for diuresis—Commissioned in 1891, Rodin spent seven years apprehending Balzac’s spirit—
Apart from the Daedalus of the North's flying machine, the Swede found revelations; at the outset, “Do not eat so much!” from a London tavern des Esseintes might visit in France—Gender as spectral interference; better leaving the Dutch to their lenses—Phèdre, who is she, among our recent pasts found or lost in Le Marais
Cognacq’s glucose utilization for retail from the area’s first water main (1870); which, for others in artificially-lit volumes with queues, achieve the same focus—Marie-Louise and Ernest Cognacq later founded a museum of inlaid boxes; a perfume pistolet, among other objects de vertù—Unless one should detect textures
Of resourcefulness; they are preserved to speed craftsmen to market, as Lalique’s fountain for Jacques Carlu’s seventh floor of the Round Room of Toronto’s dominant merchants (1930)—As alpha cells, the commodifers from the microorgans of Langerhans,
Float glucagon in fasting glucose—Nadar’s print of Sarah Bernhardt (1865) was a goad to the dramaturge; herself, a sculptor—Her sphinx inkwell (1880) as a self-portrait long since shifted hands, she entered a bronze sea wrack, the consummate siren, as her entry in the Paris Exposition (1900)—Defensive
Of the wheel dying purple—Our lights of the stanzas, when the eighth phoneme reads by turns the paradise courtyard or its communicating thread advanced by Langerhans, for others to elucidate—Passage through clerics’s meadow before no. 24 existed, where Racine ostensibly moved house before his death (1699)—Le Marais
No more exclaims endocrine consumption among the seven ages ungainly with their baggage, than the Symbolists dispel their uncertainties with our requirement to transcribe them intercalated with our strides—
5 comments:
For a future haunting:
http://salon-litteraire.com/fr/moliere/content/1831474-le-malade-imaginaire-de-moliere-resume
http://www.toutmoliere.net/le-malade-imaginaire,51.html
https://www.youtube.com/watch?v=IkqY-x3nUhg
https://www.youtube.com/watch?v=UZXEhJ9QBt4
I took a long look at a bookshelf, and at this book, in particular. I read it when I composed this Card.
https://www.counterpointpress.com/books/walks-through-lost-paris/
https://actu.fr/ile-de-france/bagneux_92007/hauts-de-seine-ce-que-vous-ne-savez-pas-sur-le-cimetiere-parisien-de-bagneux_39748447.html
As the only thought that strikes me now, : the FLW Trail in Racine, Wisconsin.
The Wax Building, Wingspread, and the RAM with Chihuily.
I will take notes about Langerhans for the current project. I get painfully ambivalent about coming home late from work, tired, questioning whether I did all that I could, and then eating late. Eating late maximizes risk for diabetes.
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