XVII. Jeter dans la benoîte de sapin

XVII. Jeter dans la benoîte de sapin

And he put me on board and sent me off from there at the harbor of the sea. The winds wafted me to the land of (2.75) Alasiya, and the townsmen came out against me to kill me. And so I picked through them to the place where Hatiba, the princess of the town, was. […] Surely there is one among you that understands Egyptian. And one of them said: I understand. So I said to him: Tell my lady that I used to heard as far away as Ne, where Amon is, that (although) it is every town that injustice is practiced, it is in the land Alasiya that justice is practiced. […]

And so she had the people summoned, and they were arraigned. And she said to me: Spend the night […] –W.F. Wente’s translation of "The Report of Wenamun", a New Kingdom papyrus by an envoy under Ramesses XI gathered in William Kelly Simpson’s The Literature of Ancient Egypt: An Anthology of Stories, Instructions, Stelae, Autobiographies, and Poetry (Yale University Press, 1972)

It was the perfect station because also amongst the drops of time it gave short teachings about things she might one day need to know. That’s how she learned that the Emperor Charlemagne was called Carolus in his own land. Admittedly she never found any use for this information. But you never know, patience always pays off in the end. She’d also heard that the only animal that doesn’t mate with its own offspring is the horse.

[…] But it seems to me that her life was a long meditation on the nothing. Except she needed others in order to believe in herself, otherwise she’d get lost in the successive and round emptiness inside her. She meditated while she was typing and that’s why she made even more mistakes. –Benjamin Moser’s translation of Clarice Lispector’s A hora da estrela (1977), The Hour of the Star (2011)

[…] três novenas e uma trezena –Caetano Veloso’s Clarice (1968)

THE STALLION with the flowering wick / levitating, at pass— / Der Hengst mit dem blühenden Docht, / levitierend, in Paß– from Pierre Joris’s translation (2014) of Pau, Später, from Fadensonnen, Threadsuns (1968)

The WILDHEART, dishoused / DAS WILDHERZ, verhäuslicht –from Pierre Joris’s translation (2014) of Paul Celan's Highgate, from Lichtzwang, Lightduress (1967, 1970)

Herein the parties agree as follows—Interrupted news of the ice-harpooned and oldest vertebrate,
Greenland shark, whose palimpsest of placoids similar to teeth and parasitized eyes is four centuries
Carbon dated by the inert skeins of its lens—Uncommon as chondrites of the Great Sand Sea, a few muons, the most abundant particle at sea-level with a charge −1 e and a spin of 12 of bomb pulses perceived from the wireless parietal
Speaking from the Rio of gold trebles—Cassia fistula, canafístula or Indian laburnum, featured in what his wife attests, his most soothing piece, posthumously, The Flower Book (1905) of Edward Burne-Jones—
Particularly Plate XVIII., or the Golden Shower of Danae of the Danites of Laish, Kush, and improbably both the Danes and Tuatha Dé Danaan, of the disinherited fifth son among the death bed's assembled thirteen
—Kerala’s emblem of the spring equinox, Latin import aequus (equal), meaning Vishnu in Sanskrit, and then the most balanced creature on four legs Xenophon (355 B.C.E.) advised in regarding the colt’s cannons to predict its hands—The traveling figurine of Amon whose feather crest rises out of the solar disk in Wenamun’s hold of umbrella pines

For Karnak; and for fifteen centuries, enumerator of places, Apet-sut, the inundation taking place across 13 degrees Cancer at the helical rising of Sirius, and liberating the Djed pillar, the floating coffin of Osiris of tamarisk, sycamore, or pine—

From this mode from Chicago, an indemnity skyscraper compelling Condit to conclude the building from a crustacean with its armor of stone to a vertebrate

Clothed only in light (1883)—The twelve then thirty floors of Edifício Martinelli (1929 C.E.) go up in the São Paulo where daughter Maria Bonomi completes the matrix of the nest restored within the felled canopy, in xilogravura, Apotheosis (1975/1993 C.E.)—Epopéia Paulista (2004) of the planned capital’s logically agreed gridlines; nonetheless, its representative mural surrounded by crosshatched keel and tonewood mahogany populating thorn forests of Kannavam—Nothing like the chaotic harbor against the whitewashed, water-bearing Arcos da Lapa ruptured every few feet of the bondinho by the aqueduct's midday eclipses from the oculi, then under spotlights, above the charioteer who reigns the northern winter Milky Way and Egyptian ephemerides near Osiris represented as Taurus—Witness, the Hans of unspecified eye color; nearsighted, by the hit and run in the Mercedes, and an opening for Cartola’s uncomplaining roses (1974)—Leo XIII's provision of the golden device established by Charlemagne, to the last to abolish slavery, signing the Lei Áurea the thirteenth

Of May 1888—Princesa Isabel, of the Most Serene House of Bragança-Orléans, whose heirs claim emphyteutic lease in perpetuity, from the then capital, Petrópolis, where Stefan and Lotte Zweig; since the Synod of Nîmes (1284) bearing the enforcement of wearing a rose, immigrate (1941)—Inspiring to the contracted length or postponed time of cosmic decay of pions to muons,

Then Handel (13 April 1737), as Leo XIII’s collapse saying mass (13 October 1884), recovers; the first, resulting in the Messiah (HWV 56), and the latter, the Leonine prayer to Michael—Four stellar classes predating the Harvard classification are split by Father Secchi’s prism into lines of darkness, or absorption bands, contained under Leo XIII’s Specola Vaticana (1891), and therein the parietals’s

Role in self-transcendence beyond collimators and deflectors of increasing beamlines at ISIS of the River Thames—Multiplicity into Oneness bonding the twelve cubic edges, the nikkudim of points, from the egg, nikud—Out of which is born the new narcissus, the painting exhibited to Freud (1938), and its mention dispatched to Stefan Zweig at his notebooks of Sternstunden der Menschheit (1927, 1940), of the twelve decisive moments; much displaced in translation, The Tide of Fortune, in the sense of being star-struck—Edward Burne-Jones

Stretching ten leaves of Whatman’s wove paper (dated 1882-3), the first to receive the kiss of Baskerville’s Vergil (1757), on canvas for then the largest watercolor, The Star of Bethlehem (1891)—Edward Burne-Jones,

Striving in the medium’s transparency against nine tapestry versions—The pentimento (1350?) of Giotto’s nativity (1305) in the Scrovegni Chapel reviving the volatile extremity six millennia, by Lubieniecki, through Leo and Cancer (1456), whose apparent reflectance of charcoal and return anticipated by Halley (1682), was at last attributed by Abbé de la Caille (1759)—Striking perennial sparks of the Eta-Aquarids and Orionids at a closing distance from the orbit of Pluto (35 AU), the comet’s colloidal plates poured (1835) in the PRB lifetimes, relay the montage of ESA/Giotto’s flyby (13-14 March 1986)—Magi nourished on the same pine

Kernels and the pulpwood incense from the priests of Amun’s matin inaugurals, as it is inscribed on the seventh and eighth pylons by the ninth in the Twentieth dynasty, opening the great doorleaves of Karnak, by His person, the parietal

Stretching the cord of foundation and alignment in the direction of Dante’s eighth sphere (1331) evolving into four-limbed space consciousness conjoined by strong forces from Haeckel’s Gastrea (1872), the vertebrate—
William Flinders Petrie’s encounter with Charles Piazzi Smyth begins in a monograph; after the astronomer finished taking stereographs of the Sheepshanks Equatorial on Mount Guajara predating the Observatorio del Teide (1963), Tenerife (1858), a copy of Our Inheritance in the Great Pyramid (1874), is ingested at thirteen—

Excavations that lead to the cache of antiquities at University College (1913), and from the cultural ingresses of expelled Mameluke vendors, Petrie’s displays for Society for the Preservation of Monuments of Ancient Egypt (1882-1892) with Lord Leighton, Burne-Jones, in attendance, presiding Henry Wallis, of The Death of Chatterton (1856)—Lecture series follow, the Sphinx oriented with the precession of the equinoxes to Leo (10,970 B.C.E.), with the metaphysical watermarks of the cubit nilometer—Concerning the scan for less-dense discontinuities in filaments of superclusters; then again, a reinvented program of murals apart from the unsettling question of false doors—Detecting Sun through-going muons

Asking a great deal of the person typing, incoming the seafloor to exit on the other side against Toulon’s ANTARES twelve-stringed, inundated telescope, where neutrinos tracked by the 42-degree beam of Cerenkov  blue light by indirect detection of a cosmic ray’s refraction proportionate to its muon—

Wenamun (1891, Papyrus Pushkin 120), with the entreaty for timber scarcity sanctified by former New Kingdom scribes as the remarkable tree, whose unexpected facility for a merchant of the sacred precincts resolved on his former life as a priest—To come ashore at Byblos under the fifth regnal year of Ramesses XI (1107-1177 B.C.E.), whose longevity wehem mesut signifies the return of kingdoms in the same body, to the Canaanite temple devoted to Hathor, from the thirteenth nome, Heliopolis, the celestial Cow at the Pleiades pointed by Horus as Orion Herschel (2009) proposed on Senemut’s ceiling (1473 B.C.E., TT71)—Hathor as Nut, and her latex issue from profuse sycamore fig; called there, shikmim—Above, in the Milky Way galaxy, with a cincture; exposed by John Herschel at the Cape of Good Hope (1847), and Benjamin Gould, completely in Argentina (1879), dark matter skewed 20 degrees from the galactic plane—Commenting on the clearest evidence of the originator, Nut, whose varicolored contour feathers marking the threshold of nested sarcophagus, appear just then in a beam of dew, and ladder’s clearest meaning as maqet, over the Mediterranean so commonplace to his Cretan sailors—Piecing the celestial bridge and four rivers unveiled Christmas 1885; surrounded by the apse angels from sample Compagnia Venezia Murano tesserae, culminating in the choir’s Tree of Forgiveness from St.-Paul-within-the-Walls (1885-94 C.E.) on which Edward Burne-Jones

Had gathered progress reported from Rome for nine years—Lady Nodjmet, Khaemwaset’s sister, Herihor, her husband, the High Priest, and successor son of Piankh, Pinedjem II, and his wife, Neskhons; pregnant at death by the pharaoh Ramesses IX, and tucked into her coffin, thirteen meters down, from the Hatshepsut Temple at the disturbed cache of Deir el-Bahari (1881, 1891 C.E., TT320)—Altogether, unruffled in detritus, then museum Perspex, as a chorus for the awakened Ba bird to deliver in Portuguese, am I a monster, or is this what it means to be human (1977 C.E.)—The same year Sérgio Ferreira is elucidating in London the lulling jararaca that potentiates the nine-sequence peptide bradykinin; synthesizing from the Tupí arrow venom the five amino acid degrading enzyme, BPF-5, Squibb patents Captopril (13 June 1981)—A round tetrad of thirteen

Weeks, between equinoxes and solstices, converted by prayer’s redirection, when the observed Kemite calendar means tacking with the traveler Moon Khonsu thirteen degrees per 24 hours from his west to east reappearance at Karnak—Wenamun, then His charioteer, absorbs from the profound Khaemwaset, how the sesemet of horses is transformed by the n-ripple of water, sesenet, for breaths—Rodrigo, Macabéa, are one in the same in the uncertain panorama with no means of avoiding stones, point-like nucleon quarks (1947, 1960 C.E.)—Blown off course at Alasiya, which is a foreign station consubstantial with the entire seafaring marketplace, Wenamun’s eyes cast on the ancient figurines of Phrygian Attis with gleaners ascending the ladder of his sacred pine—

Likewise engraved on the legs VI and VIII of tripods ash carbonized (79 C.E.) in the villa del Papiri at Herculaneum (2010 C.E.), whose library contains the play based on Euripides, when Juno unfastens the first act of Seneca’s Hercules Furens (54 B.C.E.), with the catasterism of her outrage identifying Orion menacing the Pleiades—A parietal

Distinguishes when his turpentine lines and preserves the wine casks opened on Sol Invictus—Ship-boarding, and disappearing under the Vesuvian lahar (79 C.E.), Pliny, to whom posterity owes vertebrate,

Vertebrātus, stood in the Casa del Mobilio Carbonizzato facing the Lares secreted in their box, while admiring the recovered still-life of mushrooms, quinces, and partridges—He mentions boleti from the pine tree in Historia Naturalis (22.96), which is most likely an Amanita, or fly agaric, coevolving as a psychotropic poison to vertebrates,

Exciting seven transmembrane receptors with active muscimol (1869)—Wenamun; though he aspires to the glories of Tjaneni (1457 B.C.E.) on the Temple of Amun at Karnak—Of the Canaanite plain of bordered by the ninth son, and man of hire, in the unruly Valley of Jezreel alleged by the Hebrew magician of Neferkare Setepenre (1129–1111 B.C.E.), and Egyptians, no strangers to actions pronounced beforehand, but then retold for the incongruity of events beyond their chariot’s reach, of a homeland beyond the Nile—He obtains the diminishing remittance from Nesbanebdjed’s vizier, for Tjeker logs scorched for hammering weapons and the ceaseless taking of hands—Massive shadows of muons

Cast their vapor trails of the Sun while detecting few, if any undisclosed passages of the Great Pyramid—Kurun Hattin (2016 C.E.), one unearths a scarab of Thutmose III taken from the Jezreel battlefield by a common soldier’s theft (1457 B.C.E.)—To the split rocks of the convective thrust of La Soufrière 13° latitude from geostationary; the same degree as the LQ13 quadrangle, Turner painted from a sketch taken from that midnight 30th of April, 1812—Parietals

Of the sulfur caldera of St. Vincent accept the fate of a new island taken separately from Cenozoic tectonics that while under Herzog’s cameras slept (1977 C.E.)—Feebly, in the gravity of the typist’s office, Macabéa repeats messages from the handset dissolving the grains of aspirin—Hoffmann’s Spirsäure (1897, 1934 C.E.); patented exclusively for seventeen years, and prepared from the salicylates of meadowsweet pacifying the barque to Avalon, from which Edward Burne-Jones

Is compelled to wring the secret, XXXV. Filipendula ulmaria (1905 C.E.)—As a younger man, the painter bids an embroiled taciturnity from Swinburne’s homage to FitzGerald; himself, in awe of Calderón’s ruminations, for The Rubaiyat of Omar Khayyam (1862) on which Laus Veneris (1873) is grounded—The preoccupied sits before an exaggerated casement; a pyramid’s foundation likely cracking under its static forces; somewhere, a crozier blossoms begging the question of knowing where to look—Thirteen

Established parameters of the seventeen now proven Standard Model particles; all initially reliant on the finitude of light and the photon’s weightlessness, submitted to the mirror’s pivot of two, twelve-inch diameter lead spheres of the Cavendish experiment (1798 C.E.) for weighing the world with estimated error of one percent, and evidence of the gravitational constant (G)—After taking his grand tour (1749), Henry Cavendish perhaps recalls the umbrella pines,

Its kernels consumed everywhere, in the Herculaneum undertaken by the Bourbons (1711)—He orders ten cabriolet legged chairs; departing from his austere habits from a sighted banquet fresco—Once, dining with John Herschel (1786), the physicist queries the astronomer, for a shared appreciation of instruments, to see stars round […] as buttons answers the second—That is before the telescopic survey of the whole surface of the visible heavens that would consume the latter’s working life; interposed by Cape Flora (1834–1838), the sketches of his three daughters before the stone pine

Avenue that leads to the Observatory at Feldhausen—Herschel, in Cape Town proposes light fixatives, of which his cyanotype process is known for the foregoing blueprint, yet the novel photography (1839) is cited first by the Brazilian Hércules Florence (1833); as Henry Cavendish, who is fortunate to be born in Nice—Nikaia, a trade partner with Massalia, which numbers the cities bearing a Phoenician footprint, with the horse, the only vertebrate,

To balance on one toe—Urged on conquest; necessarily with forelimbs that float on a relatively unmoving spine, the lung-ta wind horse streams at the Kalachakra initiation, for the twenty-five, twenty-three, nineteen, thirteen,
And nine mandates that likewise encounter the universe in a single atom—Scaglia rossa, dense in iridium and shocked quartz, extends the Kt-Pg boundary worldwide; from the Alvarez hypothesis of an impact (66 Mya), by the first who suggested measuring the dimensions of Cheops from secondary muons (1955)—

The Bishop of Eichstätt’s three-volume botanical (1613) is arranged by season; the Akhet, Peret, and Shemu with increasing years Wenamun disremembers as he stays in a foreign land—The parietal
Of Nuremberg, Basilius Besler, includes amaranth, as Piso’s Historia Naturalis Brasiliae (1648 C.E.) for John Maurice, the Count of Nassau—With the circumference of designations facile to the task up until Paradise Lost (III.352) (1667), (XIII) Amaranthus, in watercolor set for Poitevin’s collotype (1856) Edward Burne-Jones

Exposes the Greek, as it weakens at the base of the Tree of Life—Continuous with the stencils and synthetic dyes of Zuccato’s papyrograph (1874), and the foyers’ printed wallpaper umbrella pines to perch fowl within striking distance—Edward Burne-Jones concludes
The Flower Book with the ox-eyed daisy, XXXVIII. Day and Night (1905)—A star falls and opens the pit (9:1) on the Kuwait oil field of Herzog’s Lessons of  Darkness (1992)—

The Oso y Medroño of the Plaza of the Sun that is the strawberry tree yields firewater, aguardiente, aguardente in Portuguese, and conceivably, the primacy of Bosch’s triptych shuttered by the lunar grisaille from after the Third Day, the ereb of the ending of days dated by the oak frame (1460-66 C.E.)—That could be interpreted by a parietal consciousness hesitating before proceeding with the erect bespoke vertebrates—

Each the composite of loves is thirteen, and constellate operators of other dimensions labelled by  2.2 x 10^-6 s of muon streaks in a cloud chamber that meanwhile visibly explain a minority of dynamism locked in matter—