Wednesday, February 18, 2009

Sleep (1937) Pantoum

Sleep is the only suicide for responsible adults.
Dragging the big sooted bag of possibility
Whereto they schlep them, to their various therapies;
Shame, like a cipher, appears to now add together

Dragging the big sooted bag of possibility
Dissected frog-twitching-sparks in pitted collagen
Of the lip reader, privately elaborating to die happy, naturally.
But frankly, there is not much life in the time making

Lips speak ghostsstill and beforethe unraveling collagen

Of the face, which is painfully striking during store hours.
Something billows behind the waiter, waiting and making
Mental notes of those thrown confusedly together at a table--
She, who with swaying balsam stick posed, so often during store hours,
Dipped back in dismay, to keep her pliant heart held together.
She cannot outsmart this monument, thrown confusedly at a table
Of their bargaining, and thus, only to be taught a slackening

In this not so subtle form of life--adjusting to a clearing together

And bracing the difference, wondering which of these props to use?
Which proprietary formula sends all branches scrolling into a fixed sum?
In the clearer example, of fame with food, in each a deep swallowing,

Sleep is the gauntlet thrown by two actors shrugging, a useless prop

Of the past falling out of place, for fear of one walking up and catching
It in the vacancy of an afternoon, the body burning and bearing
The loss of radio contact with the ground, with the guttering
Wind that has sent for you--her manner is coaxing, and is catching
Ahead of the moment you and another built an embrasure, just for you,

And this is the sincerest send off to researches into flight beyond
To founder, where you float thoughtfully misconstruing the possibilities.



4 comments:

Σφιγξ said...

http://findarticles.com/p/articles/mi_m2078/is_1_44/ai_67532162

This form is quite fractured, in my instance.

Σφιγξ said...

Her pantoum references this poem, a personal favorite:

Leda and the Swan
by W. B. Yeats


A sudden blow: the great wings beating still
Above the staggering girl, her thighs caressed
By the dark webs, her nape caught in his bill,
He holds her helpless breast upon his breast.

How can those terrified vague fingers push
The feathered glory from her loosening thighs?
And how can body, laid in that white rush,
But feel the strange heart beating where it lies?

A shudder in the loins engenders there
The broken wall, the burning roof and tower
And Agamemnon dead.
Being so caught up,
So mastered by the brute blood of the air,
Did she put on his knowledge with his power
Before the indifferent beak could let her drop?

Σφιγξ said...

In another medium, I love the Wim Brotha Leda and the Swan, 2005, bone meal, marble, epoxy, resin, webbing

http://www.artthrob.co.za/05apr/reviews/msc.html

Σφιγξ said...

The first three stanzas were fashioned in a different feeling, a different time--a few days ago.

Yes, the reason I post such things is to remind myself to revive them. Printing something and filing it in a dossier/drawer makes it out of sight and out of mind.