Sunday, November 23, 2008

Eyes Wide Shut analysis part two

12 comments:

Σφιγξ said...

Larvae: Roman ghosts or spirits of the dead which can return to the world of the living.

http://www.carnivalofvenice.com/documento.asp?id=31

Σφιγξ said...

"Mirrors" from Hybrids of Plants and Ghosts
Jorie Graham

For some of us the only way of knowing we are here at all, going
across and going down,
exquisitely temporal though at no point believable; fragile; tragic.
The mirror redeems

the desire to wish,
what we cannot see of ourselves staring back with its most accurate
face.
The closer you come
the less believable--

life-size that dangerous democracy that will destroy its subjects.
Lookalikes, miniatures,
as in the world of pine, are stabs at freedom:
this limb twisted impossibly, that height not naturally achieved,

achieved. Or,
taking the lodgepole: in the clearings
their maps are unreadable, carrying their off-centeredness
with vanity,
true love,

slow and doubling like ideas not yet come to term--but stubbornly
growing thick and burying themselves
in themselves
While in the forest,

the modest chemistries of need force all of them to grow cleanly
identical, histories
where only present tense survives,
the lower limbs all shed in compromise--as if in such a crowd

being overlapped and overlooked were being free...
Too many arrows
for identical hearts,
unwavering, unvarying, every one a hero, a mind

made up. What industry.
What will we become from lack of uselessness. What will we become
without that acute, fancy love--
branch off my own tree bent back to taunt and almost look alike.





*Officially, referencing:
"'Mirrors': The second line is from Hollingdale's translation of Nietzsche, "What can be loved in man is that he is a going-across and a down-going" (Übergang und Untergang) (p. 44)"

**Unofficially, referencing ?

Wuthering Heights, Chapter 17:

"And we'll see if one tree won't grow as crooked as another, with the same wind to twist it!"

***Unofficially, referencing ?

Franz Kafka:

"The arrows fit exactly in the wounds they have made."

Σφιγξ said...

I like it that the analysis of the film is erased.

Σφιγξ said...

It is strange rereading what I had not known existed, parallel to myself, and realizing if I posit these current thoughts with anyone five years, a decade from now, with anyone else, I would be reminded that they were yours. I mean it very sincerely, cautiously, that I have taken many parts of you into myself, to make them signify.

Σφιγξ said...

I am not sure exactly what I said or omitted to warrant an investigation. I ruined things acknowledging that the Lispector text followed abortion? One could not properly trace around that; I have never been pregnant, so I can judge anything that happens after the fact. It is not a refutation, and I do not mean to hurt your feelings when I blunder into something.

Σφιγξ said...

Yes, the masked ones. It will soon be time to look in the Dream Diary.

Σφιγξ said...

https://www.youtube.com/watch?v=QWn6ttf9NRg&list=PLdf9pHBWxlcPNuSfkR_d0XZ24WXbp4Zfk

http://www.yannarthusbertrand.org/en/exhibitions/earth-from-above

Σφιγξ said...

Michael Haneke's La Pianiste (2001). I had been thinking all day about a write-in in the local paper about a ruined marriage over compulsive porn watching. It seems rather frequent; the loss of intimacy over the shortest path through the ancient reward circuit. What is most hurtful, I think, is not being able to ameliorate the situation.

In the endurance to be my best, I know I frequently displease you, but I am committed never to take the route of mindless addictions. I would alter my behavior, not only out of consideration for you, but because your judgments and example demonstrate the most self-realizing behavior as an individual, and as a couple.

Σφιγξ said...

There is another interrogation of the mirror by the same reader using the same, "re-pair".

And the eyes of both of them were opened. Then there is the Eye that pushes form beyond its limits, into creation, which operates partially blind to the realities, and frequently, in opposition to them?

Σφιγξ said...

"When I opened my eyes I found myself on my back and at our feet was an apple tree packed with red apples. I couldn't believe my eyes and felt for his hand. When I found it, he started to laugh and made me sit up. Then I realised what had happened, because I saw the grey shattered planks. One wall of the shack had fallen outwards on to the field. The pictures of the boxers were in the grass facing the sky. I was pushing, saying Gino, pushing and pushing with my feet against the planks—his laughter was all mixed up with the sunlight and with what he was saying—to lift you up and up and up and the wall of the house fell down! Look at the apples, Ninon! And he gave me one and I knelt all naked, holding it like I once saw in a painting. Ah! Gino. The painting wasn't of Eve." — John Berger's To The Wedding (1995)

Exercise 53 will have an apple tree, and a fence somewhat like this, with shadowing waves:

http://www.jamesravilious.com/gallerypic.asp?gallery_id=5

Σφιγξ said...

I will put Exercise 55 here, too.

Σφιγξ said...

https://www.goingconcern.com/150-hour-rule-lets-keep-arguing-about-what-color-the-drapes-should-be-while-the-house-is-burning-down/amp/

I will find Exercise 53 ...